Me and the Girls is a paradox – a ‘new’ Noel Coward play. It is in fact a clever musical adaptation of a short story which the Master wrote on holiday in Jamaica, and published in 1962.
Me and the Girls is a paradox – a ‘new’ Noel Coward play. It is in fact a clever musical adaptation of a short story which the Master wrote on holiday in Jamaica, and published in 1962.
BBC arts producer Simon Richardson, opening the four-day Coast is Queer LGBTQ+ literary festival at The Spire in Kemptown said: “I know some people in our community don’t feel the term ‘queer’ represents them. But I think it says something about being radical and disruptive.”
Produced by Temporama and distributed by Pecadillo Pictures, Brian Butler reviews Darko Stante’s Consequences.
David is 50-something and at ease with his gay self. That is until he joins his friends to celebrate the 60th birthday of one of them in a drinking and dancing night at Clapham’s famous Two Brewers pub.
Veteran Academy-award winning writer/director William Friedkin has re-mastered picture and sound and re-released his highly controversial 1980 movie Cruising, starring a young Al Pacino.
In Shakespeare’s Othello, the black general of the title is driven to murder and suicide by the jealousy of his lieutenant who wrongly believes Othello has slept with his wife.
Quentin Crisp is an enigmatic and controversial figure in LGBT+ culture. At once a brave, totally unashamed gay man, he was also unpredictable and contradictory, preferring to walk his own path in life – regardless of the consequences.
Imagine a play where the stars are walk-ons and the extras are the star performers. No, it’s not Rosencrantz and Guildenstern Are Dead where Hamlet has no lines; more like Waiting for Godot with no expectant menace.
How often have you been to the theatre and been given toffees, chocolates, Parma violets, a walnut whip and a miniature lemon meringue pie? Never? Well then hurry along to see Nigel Slater’s Toast, a food-packed evening based on the internationally known chef’s life story.
There’s no question that Tracey and Jason’s love is deep, humorous and heart-warming. In this 90 minute film with its home movie feel, we explore their relationship and the deep rooted desire they have to have a baby.
