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Feud Revisited: Ryan Murphy’s finest hour?

Ryan Murphy is firmly established as one of the best dramatists of our time. He’s the mastermind behind hugely popular shows such as Ratched, Boys in the Band, American Horror Story and Glee. Needless to say, his work has greatly increased LGBTQ+ visibility on mainstream television.

You can find most of his work on Netflix – invariably among the most popular shows on the streaming giant. But one notable, partially forgotten Ryan Murphy show is missing. Where is Feud?

It had a brief run on BBC iPlayer. You can now pay to watch it in full on Amazon or iTunes. But in the age of streaming, that means Feud may as well be hiding under the Invisibility Cloak. It’s surely one of the most compelling and underrated dramas of recent years, not to mention a towering example of high camp.

It chronicles the legendary feud between Bette Davis (played by Susan Sarandon) and Joan Crawford (played by Jessica Lange). Their long rivalry was played up by the newspapers, not least by the actresses themselves.

When Joan Crawford passed away, Bette Davis received a call from a reporter. Davis gave her comment: “You should never say bad things about the dead, only good… Joan Crawford is dead. Good.”

But did they really hate each other? And what did their rivalry really amount to? These are the questions Ryan Murphy asks in Feud. Most of the drama centres around Whatever Happened To Baby Jane?, the legendary horror movie they made in 1962. The film traded mercilessly on their ageing bodies. Davis’ grotesque performance of I’ve Written A Letter To Daddy is instantly recognisable. It’s been recreated by many drag queens over the years and inspired many Halloween outfits.

Perhaps Bette Davis and Joan Crawford had so much in common they were purposefully pitted against each other. In a misogynistic, ageist industry, it’s easy to make fun of two fading actresses. Their Feud was more of a media narrative than anything else. They both respected each other as performers.

Curiously, both would later have their reputations trounced by vengeful daughters. Christina Crawford’s account of her childhood, Mommie Dearest, caused permanent damage to her mother’s reputation and inspired one of the campest movies ever made.

Feud shows you the humanity of both actresses. Behind the headlines and bitchy put downs, they were two sensitive human beings who lived brilliant but difficult lives. It’s ultimately a sad story. Bette Davis and Joan Crawford’s feud ruined what should have been a lifelong friendship.

For gay men of a certain age, Bette Davis and Joan Crawford were the ultimate icons – along with Judy, of course! Ryan Murphy’s stunning drama attempts to rescue them both from the myth of Mommie Dearest and the thousand drag parodies.

Feud, I would argue, is the best show Ryan Murphy has ever made.

You can watch Feud on Amazon.

Evermore: Taylor Swift surprise drops another album

Taylor Swift has been very busy in lockdown. She could have stayed in bed counting her money. Instead, she’s written and recorded two albums – Folklore and Evermore – both of which she surprise dropped. The albums are comprised of folky, indie pop tracks. Her songwriting has reached a new level of maturity.

“I loved the escapism I found in these imaginary/not imaginary tales. I loved the ways you welcomed the dreamscapes and tragedies and epic tales of love lost and found into your lives. So I just kept writing them,” she says.

Taylor Swift has been very busy in lockdown. She could have stayed in bed counting her money. Instead, she’s written and recorded two albums - Folklore and Evermore - both of which she surprise dropped. The albums are comprised of folky, indie pop tracks. Her songwriting has reached a new level of maturity. “I loved the escapism I found in these imaginary/not imaginary tales. I loved the ways you welcomed the dreamscapes and tragedies and epic tales of love lost and found into your lives. So I just kept writing them,” she says. Miss America may seem almost too perfect with her flawless good looks, super celebrity status and wealth. But her naysayers have no doubt been silenced in 2020. Having produced two brilliant albums of self-penned songs in a year is impressive. Her songs of lost loves and fond loves have a universal quality. You can relate to what she sings about, even if you aren’t rich and perfect. “To put it plainly, we just couldn’t stop writing songs. To try and put it more poetically, it feels like we were standing on the edge of the folklorian woods and had a choice: to turn and go back or to travel further into the forest of this music. We chose to wander deeper in.” Folklore and Evermore are companion pieces and both albums are well worth checking out. As a starting point, check out exile, her gorgeous duet with Bon Iver. Listen to Evermore now.

Miss America may seem almost too perfect with her flawless good looks, super celebrity status and wealth. But her naysayers have no doubt been silenced in 2020. Having produced two brilliant albums of self-penned songs in a year is impressive. Her tales of lost loves and found loves have a universal quality. You can relate to what she sings about, even if you’re not American royalty.

“To put it plainly, we just couldn’t stop writing songs. To try and put it more poetically, it feels like we were standing on the edge of the folklorian woods and had a choice: to turn and go back or to travel further into the forest of this music. We chose to wander deeper in.”

Folklore and Evermore are companion pieces and both albums are well worth checking out. She’s set the bar very high in 2020 and her contemporaries will be watching her closely. She’s currently re-recording her first six albums after losing control of the original masters. Taylor Swift is clearly going to maintain full control of her own narrative.

As a starting point, check out exile, her gorgeous duet with Bon Iver.

Listen to Evermore now.

The Happiest Season: LGBT+ Cinema Goes Mainstream

The Happiest Season has already broken box office records for Hulu, the American streaming giant. It was the most watched film on the platform over its opening weekend.

Kristen Stewart stars as Abby, along with Mackenzie Davis as Harper. They’re dating and it’s starting to get serious. Abby joins Harper at her parents’ for Christmas. The film is essentially a gay version of Meet The Parents, only with less charm and weak comedy.

Harper’s family are upper-middle class and quite conservative. They don’t know their daughter is a lesbian and assume Abby is her roommate. The mum is obsessed with presenting the perfect family image on social media and this leads to some of the film’s better comic moments. It becomes apparent to Abby’s family that the girls are more than friends. Inevitably, a happy ending rounds of this festive romcom. You can see it coming for miles.

The Happiest Season recycles many tropes from festive and romantic classics. There’s lots of Christmasy decorations, a nice big family home and an awkward will-they-won’t-they love story. There’s even – wait for it – a gay best friend!

The Happiest Season

While the film is a bit trite, it isn’t offensively so. In terms of its cultural context, it’s a very significant step forward for LGBT+ cinema. The fact that this film has broken box office records shows how far we’ve come. It’s a festive, family-friendly film. And it’s a gay film! The gay aspect is almost incidental, though. Gay culture has become far more visible in the mainstream and it’s made a big difference.

A film like The Happiest Season probably wouldn’t have been so mainstream ten years ago. Twenty years ago it would have been unthinkable. LGBT+ cinema can now enter the mainstream without anyone dying at the end in the arms of Meryl Streep. This is a gay film you can watch with your nan and she’d probably enjoy it more than you.

You can watch The Happiest Season now on Amazon.

BST Hyde Park – Grace Jones, Duran Duran & Nile Rodgers

Grace Jones headlined the Sunday event at Brighton Pride back in 2019 and Nile Rodgers headlined the year before. You know, when public gatherings and fun could legally happen. Seems like a long way back. Fortunately, the Brighton Pride veterans – plus Duran Duran! – will be returning to the stage for the British Summertime Festival in 2021.

Last year, the almighty divas Barbra Streisand and Celine Dion headlined the BST. They didn’t join each other on stage to recreate their ear-splitting duet, Tell Him. Maybe next time!

The event took place just after London Pride. Streisand mentioned to the crowd that she didn’t bother going to Pride the week before “Because I knew you’d all be here!” And we were. Streisand did welcome many special guests during her performance, so expect surprises for next year’s gig.

Grace
Grace Jones

Grace Jones has just been announced for the Sunday 11th July 2021 performance. She’ll be joined by Nile Rodgers and Duran Duran – yes, all on the same day! Pearl Jam and Pixies will play on July 9th and July 10th – no doubt to keep the straight people happy.

Matt Hancock has confirmed that life should return to normal by next summer. That means Grace Jones will be dusting down her hula hoop as we speak.

You can book your ticket now.

Lady Gaga vs Mariah Carey: The Cookie Wars

Lady Gaga has teamed up with Oreo to unleash Chromatica-themed cookies – this is not a sponsored post! The cookies are essentially pink oreos with a green filling and garish pink packaging. Like the Chromatica jockstrap, it’s an ingenious piece of marketing. A perfect novelty item for the festive season.

“’This collab is inspired by the world of Chromatica, where kindness rules all things. I love these pink cookies with green creme, and hope they brighten your day as much as they do mine!” Gaga said.

As we all know, the holidays are a time for family, food and increasing Mariah Carey’s net worth. Her immortal Christmas song fills the airwaves and her coffers every December.

You could imagine Mariah plotting her next move in a wintery forest, sprawled out on a festive throne. An elf tells her Lady Gaga is releasing novelty oreos in time for Christmas. Not to be outdone, Mimi instantly dispatches the elf to the factories on the edge of the forest, with instructions to begin work on Mariah’s Cookies. They are to be launched in 30 markets in collaboration with Virtual Dining Concepts.

She calls her communications elf and dictates a press release: “Yay, cookies! We love ’em….love ’em during the holidays…..love ’em all year round!!”

So now the cookie wars begin. Those of you old enough to recall Blur vs Oasis will know the score.

Both divas are riding high in 2020. Gaga wowed her Monsters with Chromatica, arguably her best album. Mariah is about to launch a Christmas special on Apple TV and All I Want For Christmas is storming back up the charts. But who will win the cookie wars? It remains to be seen if Mariah will instruct her elves to make festive jockstraps.

Gaga hasn’t announced an official release date yet.

Mariah’s Cookies will be available for order from December 4.

TV Drama: It’s A Sin by Russell T Davies

Russell T Davies made his name in 1999 as the creator of Queer as Folk, the groundbreaking TV series. It explored the lives of gay men living in Manchester around Canal Street area. Their sexual exploits were chronicled in considerable detail. It was the first TV series in the UK to put gay characters centre stage. The age of consent was being debated in the House of Lords at the time. Queer as Folk captured the zeitgeist – it still stands up as a compelling drama two decades later.

Davies went on to revive Doctor Who after it had been off air for sixteen years. He also wrote a brilliant adaptation of Casanova’s memoirs in 2005, starring David Tennant. Davies also created Torchwood, the popular Dr Who spinoff.

His latest show is a five-episode drama chronicling the HIV and AIDS crisis. It’s A Sin (named after the Pet Shop Boys song) begins in 1981. It’s the first TV drama to show the HIV crisis from a British perspective. Notable US dramas like Angels in America and more recently Pose have done so to great critical acclaim.

 

It’s A Sin stars Olly Alexander as Richie Tozer, an 18 year-old exploring the London gay scene in the early 80s. The sexual revolution of the 1960s and 70s ushered in a bacchanalian party that seemingly would never end – chiefly in major cities like New York and London. The spirit of the time was captured by Studio 54, a wild, sex-positive nightclub where almost anything was permissible. But a big disease with a little name soon wreaked havoc among gay men.

The virus seemingly came out of nowhere. No one understood it. The party was officially over. A club like Studio 54 could never have existed in the post-HIV landscape. The 80s was a difficult decade to be a gay man, especially the early part of it when ignorance reigned supreme.

The protagonist of It’s A Sin had the misfortune to come of age during a brutal plague. Before medication became available, the survival rate from AIDS was zero. It was a death sentence. This show is likely to be a heart-wrenching but necessary watch. Russell T Davies is on the cusp of making TV history once again.

It’s A Sin will be on Channel 4 in 2021.

Song Review: Frozen Mind by Aaron Sibley

Aaron Sibley was a Pride’s Got Talent finalist, performing on the main stage of Pride in London in Trafalgar Square. He’s just 23 and already establishing a distinctive musical style. His 2018 song ‘Once upon a Time’ reached Moldova’s Eurovision National Finals and his song ‘Wildfire’ was also in the running. He also released a 6 song EP titled ‘Holiday Love’.

Frozen Mind is his latest offering and his most personal release yet. It explores his own mental health struggled and it was written and recorded in lockdown. He arranged, produced and mixed and mastered the song in his own studio.

He explained his thinking behind the song: “The ease of comparing yourself to others on social media often makes you look at yourself in a different, not accurate, light. You see all the things you’re doing wrong, or not achieving. For me, this weighed me down and after staying in bed for a few days, this song came out.”

AaronSibley

We’ve all had ample time to overthink in lockdown. It’s been the perfect breeding ground for anxiety. “Everyone goes through their bad days, and some last longer than others. This song is an attempt to explain how I felt when i just couldn’t bring myself to get out of bed,” according to Aaron.

It’s eery in the streets.
The crowds make it hard to see,
society means everyone but me

The song clearly demonstrates his talents as an arranger and producer. It’s a charming example of dream pop and it speaks to the present moment. The song has a Billie Eilish vibe. We’re likely to be hearing a lot more from him in the future.

To listen to the track on Spotify CLICK HERE.

More info on Aaron Sibley, visit his website.

For more music, check out his Youtube channel HERE.

Ian Elmslie on literary life, cabaret & lockdown

Ian Elmslie is a cabaret performer who’s been around the block several times. He chronicled his life and career in his racy 2017 memoir, I Went To A Marvellous Party – fittingly named after a Noel Coward song. He keeps the queer spirit of cabaret alive in his music. We caught up with him to discuss his latest projects.

1. How’s life been treating you since becoming an author in 2017?

I titled the book “A Marvellous Party”, because that is how my life had felt up to that point. Little did I know the party was only just getting started! Like all the best adventures, the new journey began with a beautiful accident. In 2018, a passing visit to a Brighton record shop led to an invitation to present an evening of stories from the book, which I embellished with songs from the LGBT catalogue, The following year I curated “Torchbearer” with the singer Graham J. for a short season of performances. The show featured two of my original compositions, both of which were well received and this sparked the idea for a musical, which I completed and recorded this year.

2. How’s the new musical coming along and when will we be able to see it?

“Old Boyfriends” is no longer a musical! There are no chandeliers, no barricades, no dazzling special effects, no chorus lines dripping in bugle beads. No set, no plot, nothing at all. So I’ve chosen to call it a revue, or…pardon the pun…a review of past relationships, an occasionally ticklish but heartfelt reflection on the eclectic selection of gentlemen who entered my life stage right and exited stage wrong, but all of whom have left an indelible impression on my memory. The double CD, one piano and voice, one with arrangements, will be released on Valentine’s Day 2021, and there will hopefully be some intimate shows in suitable venues, pandemic permitting.

3. Tell us about the song “I Miss Him”, and your chosen support for GMFA.

The song was written when the show was still in the original concept of a musical, complete with a cast of characters. I was working along the lines of a “Boys in the Band” scenario, an established group of gay men, relaxing after dinner and reminiscing about the loves of their lives. I decided that one character would have lost his partner, to an unspecified illness, and had never found anyone to ever replace him. The song is a remembrance, an observation of the permanence of grief, how the smallest of moments can spark the most powerful memories. Like too many in our community, I have lost both lovers and friends to HIV/AIDS, and the song is a tribute to them. It made absolute sense to donate all artist royalties from sales and streams to GMFA, in order to support their magnificent and ongoing work.

4. How have you been coping with lockdown?

Some hours were better than others! I live and work alone, so I am used to the solitude, which I can often enjoy, and also to my own company, of which I got utterly fed up. But my time as a teacher kicked in, and I embraced the concept of a timetable. A daily 10km walk, piano practice, writing, reading, tending the garden, and working my way through the inevitable box sets. Like everyone, I missed the company of the ones I love, but if this whole nightmare has encouraged us to call rather than text, to check in on a more regular basis, to appreciate the value of those friendships that we sometimes take for granted, and to let the ones we love know that we do, then some of this agony has been worth it.

5. What is your process for writing a song?

With this project, it all started with a character. Who is this person, what do we need to know about them? Next comes the scenario. What is the situation? What is the story? Then I try to find the most appropriate musical style with which to tell the tale. I have always enjoyed jumping round the genres, and this collection veers from jazz to country and western, from Irish ballad to vaudeville, bar-room blues to disco, whatever worked best to compliment the narrative. Each song is based on a real person, which made writing the lyric far easier than finding some hitherto unexplored way to tell a tale of love on the rocks. As I am still in touch with some of the subjects of the songs, I was intrigued to hear their response. All good so far!

6. Who are your musical heroes?

Music has been at the very core of my life from the earliest age. As a pre-pubescent child, I loved the harmonies of The Osmonds, The Carpenters and The Manhattan Transfer. David Bowie took the throne in my teens, and has stayed there ever since, never failing to thrill me with his refusal to stay creatively static, even when the results were less than successful. Musical theatre, classical music and jazz, all have a huge place in my heart. Joni Mitchell never fails to make me wonder why I even attempt to compose anything. George Michael, Rufus Wainwright, John Grant, great gay singer songwriters all. Music will always be my constant companion, my inspiration, my challenge, my comfort and my joy.

“I MISS HIM” will be available to hear and download on Dec 1 on YouTube and all the major streaming channels.

“OLD BOYFRIENDS” will be released on Valentines Day 2021.

“A MARVELLOUS PARTY” is available to purchase from the Ignite Books website.

An Extraordinary Life.

Jan Morris was the only journalist to accompany Edmund Hilary on his ascent of Mount Everest in 1953. Then still James Morris, she was 26 years old. She sent a now famous telegram: “Snow conditions bad. Advance base abandoned yesterday. Awaiting improvement. All Well!”

There was more to the dispatch than met the eye. She was using coded language to confirm that he had successfully reached the summit. The Times broke the story on the day of The Queen’s coronation.

The accent of Mount Everest was considered to be a last hurrah for the fading British Empire, but it was just the beginning for Jan Morris. In 1956, she broke the news that France had been collaborating with Israel to invade Egypt in the Suez Crisis.

In 1972, she became one of the first high profile figures to have gender reassignment surgery. She wrote about her experiences two years later in Conundrum, a groundbreaking account of the transgender experience.

Elizabeth Tuckniss, Jan Morris’ wife, remained faithful to her, even though they legally had to divorce after the gender reassignment surgery.

Jan Morris died at her home in Wales on Trans Day of Remembrance at the age of 94. She lived a life of extraordinary richness and diversity. She wrote 40 books, raised four children and travelled extensively.

Her literary reputation was sealed by her travel books, especially her lyrical descriptions of Venice and Trieste. She also wrote a sprawling history of the British Empire. By the time The Guardian met her for a final interview this year, she could scarcely believe she had written so much as she flicked through her exhaustive notes for her history books. She knew she was at the end of her incredible journey and she was in a pensive mood.

She didn’t consider her gender transition to be a transition, as such. More an absorbing of one sex into the other. Her travel writing, her gender and later her Welsh nationalism all seemed to be connected. She considered her extensive travels to be linked to her exploration of her own identity. Her romantic attachment to Wales was reflected in the evocative accounts she wrote of cities like Venice. She had an intuitive understanding of place and history that elevated her writing. She lived the life of an artist and ultimately a life of great fulfilment. We can all learn an awful lot about how to live well from reading Jan Morris.

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