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World Premiere of Cruise: A One Man Play by Jack Holden

Written and performed by Jack Holden (War Horse, West End; Ink, Almeida Theatre), CRUISE is a new play paying tribute to those who lived through the AIDS crisis. Hot on the heels of It’s A Sin, it’s a timely production. Directed by Bronagh Lagan and filmed at Shoreditch Town Hall, the play features live 80s pop performed by John Elliott. You can watch the performance online from 15 April – 25 April at Stream.Theatre with tickets at £12.

Jack Holden said:

“CRUISE is based on a true story I was told while I was a volunteer for Switchboard, the LGBTQ+ Listening Service. I was in a weird, unstable, self-destructive part of my early 20s. This story, among others, taught me my gay history, put my life into perspective, and helped me to grow up. The names and a lot of the events have been changed, and a hell of a lot of material has been imagined. This play is a tribute to a generation decimated by HIV and AIDs, a memorial for the old days of Soho, a celebration of electronic music, and an excuse to dance.”

Cruise

Katy Lipson said: “When you discover a script like Jack Holden’s CRUISE during a time when our beloved sector is closed it reminds you why it must re-open again. Making the decision to film CRUISE is just another way of adapting and ensuring this important story has a chance to reach audiences in a new and innovative form before we can bring it to the stage later this year for a live audience.”

~ February 29th, 1988. Soho, London. ~

CRUISE tells the story of Michael Spencer’s last night on Earth. Diagnosed with HIV in 1984, he’s told he’ll have four years to live – at most.  Along with his partner, he sells his house and parties like there’s no tomorrow, assuming there isn’t one. His partner dies two years later and he continues to spend and party.

On the last night of his four-year countdown – the 29th February, 1988 – Michael decides to go out with a bang. He says goodbye to everyone and continues to party. Having consumed a vast amount fo drugs and spent all his money Michael promptly… survives. Michael got lucky, but what kind of life will he live now, assuming it was over and finding himself broke? It’s a fantastic dramatic setup with endless potential. We’ll definitely be tuning in.

Available to book and watch online here:
15 – 25 April 2021
Tickets £12 plus booking fee

Schedule:

Thurs 15th April 7:30pm
Fri 16th 7:30pm
Sat 17th 2:30pm & 7:30pm
Sun 18th 2:30pm & 7:30pm
Mon 19th 7:30pm
Tues 20th 7:30pm
Weds 21st 2:30pm & 7:30pm
Thurs 22nd 7:30pm
Fri 23rd 7:30pm
Sat 24th 2:30pm & 7:30pm
Sun 25th April 2:30pm & 7:30pm

Stephen Fry Meets Travel Gay

Travel Gay is the world’s most visited gay travel website. They’re based in Brighton and they recently launched a podcast. Guest have included Dr Ranj Singh, Brian Kelly (Points Guy) and ABC reporter James Longman. Their latest guest was Stephen Fry – no introduction needed.

The interview covered many topics, not least the controversy surrounding James Corden’s performance in The Prom. The story hit the headlines this week. Fry said “I don’t want to add to the hate James Corden is receiving [for that role]. I have to say in his defence that whatever performance ends up on film is the responsibility of the director. So Ryan Murphy is at fault there, not James. He should have said to dial it down and not to go for a camp, podgy 1970s figure.”

Stephen Fry: The Secret Life of the Manic Depressive aired back in 2006. The documentary played in key role in raising awareness about mental health issues. Stephen discussed mental health and lockdown in the interview: “I’ve tried to learn to forgive myself for days that aren’t good. You know, there are days when I get up and I just can’t bring myself to work or to make that phone call or wash that saucepan. I think: ‘Come on Stephen, what’s the matter with you? You’re so fortunate.”

He also discussed Jair Bolsonaro, Brazil’s current president. He was a senator back when Stephen Fry met him for a notorious interview. Bolsonaro expressed his homophobic views in a frankly unhinged way. He has since suggested COVID might be a hoax and unleashed more homophobic invective, often on Twitter. He’s as intellectually incontinent as the recently departed Orange One. Fry points out the paradox: while Brazil may have a homophobic populist in charge, Sao Paulo hosts the world’s biggest, most dazzling gay pride parade.

Stephen Fry Meets Travel Gay

On a more positive note, Stephen discussed his love for Greece. His latest book Troy is a retelling of Greece’s foundational story. It is in fact the foundational story of western literature. “I love Greece and the effect it has on my sense of self and history. To be in the place where so many heroic figures were and where so much of our civilization was born is a tremendous treat. Plus it’s just so beautiful. The sky is particularly blue over Greece. The sea is particularly blue, the stones are white, the grass green and the mixture of them all is so magical on the senses.” For his post-pandemic bucket list, Stephen cites the South Pacific and Brazil as the destinations he’d like to revisit.

The Travel Gay podcast has plenty more exciting guests lined up. We know who some of them are be we aren’t allowed to say! Tune in for the gossip and gay travel inspiration.

You can listen to the Travel Gay podcast on Apple, Google and Spotify.

Bourgeois And Maurice on their new album, lockdown and Gilgamesh

Bourgeois & Maurice are one of the best comedy double acts in the UK. Their brand of surreal, campy humour is refreshingly unique. According to their website, “Bourgeois & Maurice are alien siblings from another planet that you’ve probably never heard of because it’s very new and cool and obscure.” Since they arrived from said planet in 2007, they’ve built up a loyal following. We caught up with them to discuss their latest album, life in lockdown and their post-pandemic plans.

1. First of all, how have you been coping with lockdown?

This lockdown has felt much harder than the last, it seems like everyone’s had the same desire to just hibernate and wait it out. Thankfully with the announcement of the lockdown easing, and the end of the arctic tundra, there does seem to be a sense of hope at the end of the tunnel. We’ve spent the last 8 months busy working on the album which was nice to focus on but we just checked our bank balance and that’s less nice, so we’re really glad to see Boris has some kind of plan. Pretty much our entire income comes from live performance, it was really terrifying to see how easily that can disappear.

Bourgeois and Maurice

2. Insane Animals opened in Manchester last year. The musical begins with a camp reimagining of Gilgamesh. Do you think the Epic of Gilgamesh should be read as a queer story?

We think everything should be read as a queer story really, but in this specific case we definitely do. The gods create a companion for Gilgamesh and tell him to “love him, cherish him and comfort him like a wife”. That’s Tom Cruise and David Miscavitch levels of BFF, if you ask us. The Mesopotamians were pretty queer in general, they were cool about sex work and there were loads of non binary gods. It feels like it’s just taken 4,000 years for the world to catch up with them.

3. As the musical was forced to close you made an album instead. How does the Insane Animals album differ from the stage show?

The original run in Manchester was 3 weeks long and we were really lucky that we made it to closing night. The venue shut 48 hours later. But yes we were on the brink of making some exciting plans for the show and those all vanished the instant covid hit. Making the album has been a chance to go back and focus on the music and really try to bring the show to life in album form, which has been so good to do.

We were writing the show for 3 years before it premiered but even with that amount of prep, there was still a huge amount of rewriting to do once it got to rehearsal and that was hard, given that we were also performing at the same time. Making the album meant we were able to revisit all the material and sharpen it and build up the production with our brilliant MD Victoria Falconer. We kept some dialogue on the album too so people could hopefully follow the story without giving too much away – there are a few surprises in the live show which need to be experienced IRL!

Bourgeois and Maurice

4. Do you think your dystopian vision may have been slightly too accurate?

I don’t think even our horrid little minds could have come up with what the last year had in store for the world! In fact, whilst ‘Insane Animals’ is about humanity on the brink of extinction (sorry, it was funny when we wrote it THREE YEARS AGO), the end is uncharacteristically hopeful. We propose that humanity has the ability to think its way out of any big problem. The only difficulty is – it has to work together. Fingers crossed we find a way to do that, cos you know, it’s nice being alive and living on a planet that has a perfectly evolved ecosystem.

5. Do you have plans to take the show on tour after lockdown?

We have no firm plans… yet! We always wanted this show to tour but with Covid hitting all of that was put on hold. Hopefully we can start having conversations with venues again soon, although it’s going to take a while before the theatre industry is anywhere close to being what it was. We wanted to make the album as a way of not only capturing the show that we made and giving people a creative output in its own right, but we also want to get people hooked on the hooks, so they’re desperate to see it back on stage! It’s such an uplifting, and fun show, but also one that asks very pertinent questions about life, power and the strength of humanity, so it feels very OTM. Plus it’s camp as bloody Christmas, and we all need some glitz and sparkle after this year don’t we?!

Bourgeois and Maurice

6. What memories spring to mind when you think of Brighton? You’ve performed here many times.

Yes we love Brighton! Performing at the Spiegeltent is always a highlight but we’ll never forget our first performance which was in a tiny gay bar, with 3 people in the audience, 2 of whom were our friends. And they left mid-way through because one of them needed to puke. Ah, misty watercoloured memories.

Insane Animals is available on all music streaming platforms from Monday 1 March, 2021.

 

Framing Britney Spears arrives in the UK

It’s the documentary everyone has been talking about, especially the gays. The New York Times Presents Britney film has officially landed in the UK on Sky and NOW TV. Framing Britney Spears chronicles her rapid rise to fame and her subsequent breakdown. Her story is as well known as her music: she’s one of the most famous people on the planet. But people are looking at the Britney Spears story in a different way after Me Too.

The film doesn’t really show you anything new. You just look at the all too familiar footage with an added edge of discomfort. When a journalist asks a young Britney if she’s a virgin and she politely confirms that she is. Or when a German TV hosts asks her about her breasts – her face sort of drops and she doesn’t know how to respond. Her 2007 meltdown launched a thousands jokes and memes. Looking back, the seeds of the meltdown seem to have been planted on the day her first single came out.

Britney Spears

Britney was held up to impossible standards. She was the all American pop princess with a wholesome image, but she was young and very sexy – so did that make her a slut? A temptress? When Justin Timberlake released Cry Me A River, he essentially slut shamed her in the video. But then he bragged about screwing her in an interview. Why wasn’t he slut shamed? Ultimately, this is a story about misogyny and double standards.

She was depicted as a bad mother for driving with her baby on her lap, but photographers chase her when she’s holding her kids and she looks terrified that she’s going to be knocked over. She can barely walk through the throng of men with flashbulbs.

After the 2007 meltdown, Britney was placed under a conservatorship. Her father was given control over the finances and career. She is unable to travel or access her money without her father’s consent. She can’t even have guests at her home unless her conservators consent. Ultimately, she’s denied the ability to live as an adult. She’s infantilised, as she always has been – but she isn’t restricted in any way from making those around her rich. She raked in around a million dollars a week in Las Vegas, so she was well enough to do a number of gruelling residencies. How could anyone with that kind of earning power be considered incapable to making their own decisions?

Britney

Netflix are said to be working on their own Britney documentary. The success of Framing Britney Spears has led to rumours of a sequel. It would seem that Britney documentaries are becoming their own sub-genre. That’s all we’ll have to work with for the foreseeable. Britney is said to be on strike as she disputes her conservatorship. Those million dollar a week residencies will have to wait until the situation is resolved.

Britney headlined Brighton Pride in 2018. She looked great but she didn’t appear to know where she was. A dancer had to remind her she was in Brighton before she greeted the crowd. She mimed every note and didn’t really look like she wanted to be there. If you had no control over your life, would you?

Framing Britney Spears is available to watch on NOW TV.

“Old Boyfriends” by Ian Elmslie

Ian Elmslie is a cabaret performer and author. We caught up with him last year to discuss his 2017 memoir, I Went To A Marvellous Party. We discussed his support for GMFA and the accompanying single, “I Miss Him”. The song raised £560 in one day. We also discussed life in lockdown and how to stay productive during the pandemic. Ian has clearly been keeping busy since we last spoke.

Old Boyfriends – The Soho Session” is the first of two debut albums he’s about to release. The album is comprised of eleven original compositions, all of which were performed live in a studio over a rainy November.

Ian says: “I wanted to capture the songs as they were written, raw and unembellished by arrangements, to let the stories within the songs come right to the fore. Each song recalls a past relationship, detailing the occasionally mixed emotions within the memory and what I hopefully learned from the experience. The subject matter ranges from the beautiful naivety of first romance, through the less pleasant experiences of dating fantasists, alcoholics and married men, the inevitable heartbreak and the pain of loss, and the relief and joy in finding life after love.”

Ian Elmslie

His latest single Prisoner of Love is a brilliant mix of cabaret and country. The lyrics could have been written by Dolly Parton and then rehashed by Noel Coward. The Prisoner of Love is an actual prisoner who’s done time in various jails. The song is sung by the longing lover waiting for their Prisoner of Love to be released, but the unfortunate crook keeps reoffending and getting banged up again. It’s very camp and very funny. Ian has a distinctive turn of phrase.

Ian said: “The musical styles range from jazz to easy listening, vaudeville, Irish ballad, country and western, musical theatre, ballroom and disco…so, hopefully, something for everyone! I wanted each song to be as individual as each of the men about whom I’m singing, as if you were flipping through a photo album, or wandering round the art gallery of your life. Whilst the material may be rooted in failed relationships, there is plenty of humour to be found…believe me, when writing about dating someone residing at Her Majesty’s Pleasure, you have to find the funny side!”

You could imagine the songs being performed in a cabaret bar to great effect. The theatricality of the songwriting is quite brilliant. One day, when live music returns, this will be a gig you won’t want to miss.

Ian concludes “I know it is utterly absurd to be releasing a first album at 58, but it has taken me this long in life to “research” and write the songs, which I hope both amuse and resonate with the listener.”

“And why should only women make a break-up album? Think of this collection as a gay man’s “Blue”, “Back to Black” and “21”, only a hell of a lot more camp!”

The Soho Session album will be released, very appropriately, on Valentine’s Day, and will be available to stream and download on Spotify, Amazon Music and Apple iTunes.

Both of Ian’s singles are also available on Spotify.

Eurovison 2021 to go ahead

Eurovison is kind of like the gay Super Bowl. It’s the campest show on earth and it somehow seems to get camper every year. Eurovision has strong Brighton links. The most famous Eurovision stars of all were ABBA, naturally. They stormed to victory in 1974 with Waterloo at the Brighton Dome. No other act from the show has come close to matching their success. Indeed, most acts are lucky to manage more than one hit. Their moment in the sun may be brief but it’s often glorious.

Every year, the gays tune in with a full fridge of prosecco at the ready. This year seemed like it would be an exception, but alas, the gay gods have spoken and they have decreed that Eurovison 2021 to go ahead.“The Eurovision Song Contest will definitely make its welcome return this May despite the pandemic but, in the prevailing circumstances, it is regrettably impossible to hold the event in the way we are used to,” the organisers have confirmed.

Big screaming crowds are clearly not going to be a feature. Expect a streamlined Eurovision in 2021. That being said, without the energy of the crowd, the performers may have to compensate by making their performances even more camp and ridiculous than usual. You can get that prosecco order in – you’ll need it.

With the UK finally making Brexit official, it’s unlikely that our European friends will be inclined to do us any favours (“Nul Points!”). Eurovision acts like a microcosm of European politics. Expect lots of subtly coded messages from the performers and passive aggressive insights from the commentators. Just don’t expect to hear a peep from Madonna Ciccone.

Eurovision will go ahead in 2021 – 18, 20, and 22 May.

 

Fran Lebowitz: Pretend It’s A City

Fran Lebowitz is one of the great New Yorkers. She moved to the Big Apple from New Jersey in the early seventies and she’s been there ever since. She insists that it’s the only place she could live. In her latest series with Martin Scorsese, he asks her what New York has that other places don’t. “Everything,” replies Lebowitz.

She came to prominence via Andy Warhol. His magazine, Interview, had a fairly small readership but it was very influential. All the wannabes and big shots in New York read it. Fran Lebowitz became Interview’s most celebrated columnist. This led to her publishing two bestselling books of essays. By the late seventies she was appearing on every American chat show, delighting and unnerving audiences with her caustic wit. Her turn of phrase is so sharp she’s been compared to Oscar Wilde and Dorothy Parker.

Becoming a literary star early in life had its drawbacks. Lebowitz experienced writer’s block on such a severe scale she called it “writer’s blockade.” The pressure of living up to her image proved to be a bit too much, on the page at least. In person it was another story.

She refashioned herself as a full time wit and humorist. In the spirit of Quentin Crisp, she entered “The business of being.” She’s been invited to all the coolest functions ever since. A female dandy and bon vivant, always ready with a sardonic remark or putdown. She has truly mastered the art of conversation.

Fran Lebowitz: Pretend It’s A City

Martin Scorsese met her at a party and they became friends. She’s kind of like a character from one of his films. A street smart, very American type with a gift of the gab and a somewhat fatalistic worldview. He made a documentary about her in 2010 fittingly titled Public Speaking. The success of the film led to their latest venture, a seven episode Netflix feature called Pretend It’s a City.

It’s a fascinating portrait of New York and one of the city’s most recognisable inhabitants. Pretend It’s a City is centred around a series of conversations and live events with Fran Lebowitz. She talks about her pet peeves (which are legion) and her love of her adopted city. Scorsese can be seen on camera for much of the series, laughing uncontrollably as Fran puts the world to rights.

Although Fran Lebowitz is gay, she has kept her personal life private. She never discusses her relationships. She does discuss everything else though. She tells Scorsese that nothing is better for a city than a dense population of angry homosexuals. She moved to New York in the early seventies because there wasn’t really anywhere else for gay people to go. The incredible arts scene and nightlife of New York was disproportionately influenced by gay people: from Studio 54 to Andy Warhol himself.

Today, New York has become safer, cleaner and more suburbanised. She says that young people approach her and tell her they wish they could have lived in New York in the seventies, whereas she never approached anyone in New York in the seventies to tell them she wished she’d been there in the thirties. Lebowitz embodies the spirit of the bohemian, arty New York many people still hold dear. It was an edgier New York. Some would say a more exciting New York – less dominated by big money. As long as she’s still around the bohemian spirit of New York will live on.

Fran Lebowitz has seen it all and she shares her wisdom with you in Pretend It’s a City. It makes for great lockdown viewing. She would be the ultimate dinner party guest.

Pretend It’s A City is available to stream now on Netflix.

Lana Del Ray announces new album: Chemtrails Over the Country Club

Lana Del Ray is back, not that she’s been away for long. Her 2019 album, Norman Fucking Rockwell!, was hailed as her finest work by fans and critics. The new album, Chemtrails Over the Country Club, has a brilliant title and front cover. Her dreamy songs about faded Americana set her apart from her contemporaries. Let’s be frank, many contemporary pop stars write generic pap about self-empowerment. Truly great poetic songwriting has somewhat gone out of fashion. Lana Del Ray is one of the few writers out there keeping the flame alive.

Lana Del Ray

That being said, the album cover has provoked some controversy. The ladies photoed outside the country club are all WASPS. Questions surrounding identity have become somewhat interminable in America. It can be difficult to strike the right balance. Still, her critics do have a point, on this occasion. The album cover is very lacking in diversity. Her attempt to diffuse the controversy by saying she that “her friends are rappers” didn’t quite do the trick.

Lana Del Ray

Controversy aside, this album is likely to be one of the musical highlights of 2021. Lana Del Ray is a creature out of time. She’s kind of like a throw back to an imagined American Golden Age. She has a knack for writing about romance tinged with obsession, even violence. Jump off the edge of the Hollywood sign indeed!

 

It’s an act, but what a beautiful act it is. She published Violet Bent Backwards over the Grass, her first volume of poetry in 2020. Coming from a superstar, it’s one of the few poetry books in recent times to become a bestseller. Lana Del Ray is an artist people will rediscover decades from now. It may take many years until people can truly appreciate the scope of her brilliance as a songwriter.

Violet Bent Backwards Over the Grass is out now.

Her latest single is on Spotify.

There is no release date yet for the album in the meantime enjoy the official video for the launch here:

 

The Rona Ravers and the sinking circuit party

Jeffrey Sanker is known for hosting America’s biggest gay circuit parties. His decision to press ahead with 2020’s NYE party in Puerto Vallarta shocked many. Puerto Vallarta – also known as PV – is a party town in Mexico famed for its huge gay scene.

Per the current state government mandate related to COVID-19, all private and public events of more than 8 people are strictly forbidden. All public festivities in the state of Jalisco have been cancelled, including the previously promoted White Party Weekend at Mantamar Beach Club & Sushi,” according to the PV tourist board.

So, the super-spreader party was moved across Banderas Bay to the neighbouring state of Nayarit. Party goers posted videos across social media of packed events with the usual shirtless, muscled men dancing the night away. As a global pandemic rages they were, quite literally, dancing while Rome burned.

https://www.youtube.com/watch?v=Fn_Jjbn9qJs

The gay gods sat in judgment and they were not pleased. The PV Delice Dream catamaran carrying the Rona Ravers came into choppy waters. With almost excessive metaphorical resonance, the catamaran sank. Videos appeared on Twitter showing people in life jackets being dragged onto rescue boats. Many would have been far from sober. It must have been a traumatic experience – you can hear many people in distress in the video. Fortunately, everyone survived. Their dignity, alas, did not. More pictures here – Titanic part 2: PV edition— All about the Benjamins (@fitnessgayz

This was the gay Titanic moment of 2020. A thousand memes were born online. Bianca Del Rio declared on Twitter, “To the gays on that sinking boat in Mexico………..
DO NOT WORRY…. THERE IS ALWAYS ALL STARS!”

PV

The sinking ship was referred to as “The Boston G Party.” The jokes were writing themselves.

Many of the Rona Ravers were named and shamed online. Debates about shaming and cancel culture followed. Overwhelmingly, the response to the sinking party ship has been one sided. Attending the circuit party was seen as an example of gross negligence. The circuit parties will return when the pandemic is under control, but the Rona Ravers might not be made to feel so welcome.

A Facebook group called Circuit Karens has been launched for the unrepentant Rona Ravers.

Follow Gays Over COVID on Instagram for the latest updates.

Bridgerton: Netflix reinvents the period drama

Period dramas are an established part of British culture. We have the works of long dead authors like Jane Austen and Charles Dickens to draw from. Not to mention abundant stately homes, green and rolling hills and a sizeable pool of classically trained luvvies.

That being said, period dramas have a reputation for being a bit formulaic and stuffy. Julian Fellows rebooted the period drama to great commercial success with Downtown Abbey. Netflix have taken the period drama reboot to another level with Bridgerton.

It’s fair to say that we now have period drama before Bridgerton and period drama after Bridgerton. It makes for the perfect, family-friendly Christmas and New Year viewing. Oh, and it’s narrated by Julie Andrews in full grand dame mode. She plays Lady Whistledown, a gossipy society columnist.

Bridgerton is set in the Regency era. It’s based on the romantic novels of Julia Quinn. The story centers around the marriage market Jane Austen chronicled to such great effect in her novels. Noble families are frantically seeking matches for their daughters. Naturally, there are conflicts between making the right marriage and marrying for love. The girls are doing everything they can to avoid spinsterhood – essentially being consigned to the scrapheap. This was the way of polite society at the time.

 

The story is full of cliches and considerable liberties are taken with the historical facts. The conflict between drama and historical truth has raged a lot this year with the fourth season of The Crown. The facts don’t really matter when the drama is so brash and shiny. Bridgerton is more faithful to the conventions of period drama than history. It’s enjoyable froth and there’s nothing wrong with that.

So, how innovative is Bridgerton? In terms of budget it blows the BBC’s famed period dramas out of the water. The dialogue is sparky and suspiciously modernised. There’s far more drama scene by scene than you’d expect from a period drama. Attention spans have declined with the advent of the smartphone. Bridgerton drags the period drama – kicking and screaming – into the 21st-century.

It may lack the savage bite of Jane Austen’s satire, but so do many of the famed TV adaptions of her books. Bridgerton is more focused on being sexy and energetic than satirical.

All period dramas that follow will be made in the shadow of Bridgerton. It’s silly but it’s very entertaining. This is likely to be the best escapist drama you’ll see all year. Check it out on Netflix

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