But his stories are gripping and full of humanity and passion. Hester, played here brilliantly by Helen McRory is at first sight just a woman who’s made the wrong choices and fallen for the wrong man. But there’s much more than that to this apparently tawdry love tale.
What McRory brings out is the stubborn independence of the woman, who could opt for a well-off life back with her estranged High Court judge husband, played with an awkward disdain by Peter Sullivan.
The play opens with the aftermath of Hester’s attempted suicide , from which she recovers remarkably quickly and there’s a fatalistic trajectory to her life that seems beyond her control. The three men who interfere in Hester’s chaotic life are all ultimately unhelpful. The fourth – a neighbour in the multi-occupancy apartment block – effectively saves her life. He too is a highly flawed character : a doctor struck off for we know what not, but with a clear deus ex machine role in the play to make Hester think more clearly.
The direction by Carrie Cracknell is crisp and clear: the set by Tom Scutt, on the vast Littleton stage is way too big for a one-bed apartment. We ought to feel the physical and psychological claustrophobia and that element is lost.
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