She studied contemporary theatre performance at Manchester Metropolitan University and went on to do a Masters degree in contemporary performance making at Brunel. Her interest lay heavily in gender and identity – a clue to her later career.
To pay the rent she became a security guard , often at venues like the Black Cap, Camden where she saw lots of drag – “ Baga Chipz and Sandra were my first influences,” she tells me. She had invented a persona LoUis CYfer as part of her Masters course- “ I was struggling with my gender and identity – I didn’t know what was going on .” It clearly worked as a character because she was the first drag king winner of the Drag Idol contest. “ Everything went mad from then,” she adds.
But the drag king work is not the only string to her bow.
A highly successful one-person show Joan saw her re-telling the story of Joan of Arc , making her non-binary or gender fluid, telling her story to the vision of St Catherine which appears to her, and splicing it with drag king cabaret. It was a startling concept and a great success.
The show toured Australia and Malta and won a Fringe First award at Edinburgh. It ran on and off for five years and toured pubs, a big top and schools.
Lucy hit the headlines while touring in the play Rotterdam with her girlfriend Becky. (read the Gscene review from April 2019 here) At Southampton Pride, they were walking hand in hand in the street on their way to a matinee when they were hit by something thrown from a car. The show had to be cancelled and the story became news. “ There was an an outcry at the time because it was during Pride, I was shocked that could happen.”
She sees much of her work being about the strength of being in a community and is concerned, about issues of people’s mental health.
On the subject of gender and identity she is clear: “ I don’t mind if people call me a lesbian; Iv’e got so much else to think about. There’s definitely been a shift in attitudes about names we call ourselves in the last two years, and in what stories get told. I’m concerned about what’s happening to trans people.
“Rather than ask questions people make assumptions . I prefer to think of being fluid and free. Sometimes I feel really feminine and sometimes I’m masculine.” She’s certainly at ease with her personality and what she projects on stage. And she hopes to produce a kind of mocumentary of LoUis, with a full fake history.
Lockdown came just as she was due to appear at Shakespeare’s Globe as the maid in Twelfth Night and an immersive version of Metamorphosis – delayed now till 2021.
As I was writing this article news came that LoUis will appear alongside drag queen royalty in Death Drop at the Garrick Theatre, London in December.
Whatever happens it’s sure to be another adventure for Lucy in her super-varied career.