Mike Weatherley, Conservative MP for Hove and Portslade, is co-chair of the All-Party Parliamentary Group on Secondary Ticketing.
MIKE IS supporting the Lords amendments tabled in the Consumer Rights Bill that would provide greater transparency for those purchasing tickets through resellers and help protect the live music industry.
Live music and events are a vital contributors to the economy and the cultural well-being of society.
Mike, former Intellectual Property Adviser to the Prime Minister, will be supporting the fans, performers and promoters that believe that the current ticketing arrangements for major events is not delivering value for money for those involved and that the free market falls down when it comes to secondary ticketing, given the restriction of supply.
The Lords amendments to the Consumer Rights Bill, which Mike supports (and the government has indicated it will not support) will be considered in the House of Commons on Monday January 12, would require resellers to state the name of the seller, employment details (if related to the entertainment industry), any reference numbers, as well as a seat number, if applicable.
Mike said: “The secondary ticketing market is a cash cow for a select few and, by and large, bad for music fans. The procurement of tickets by resellers takes place on an industrial scale as soon as an event opens its box office, denying fans the opportunity to buy tickets at their face value.”
“Those arguing against greater transparency are trying to shield from fans the source of the tickets or circumvent individual venues restrictions on reselling tickets. There is a large amount of criminal activity around fake tickets, which is fuelled by extortionate prices, that can leave fans massively disappointed and out of pocket. This has to stop.”
An open letter from industry representatives:
“As representatives from the live event industry, responsible for putting on shows ranging from international sporting fixtures and world class theatre to intimate gigs, we are committed to ensuring that event-goers have the best experience possible at a fair price. The way that the secondary ticketing market is allowed to operate at present can seriously undermine that effort.
“It’s almost 3 years since Channel 4’s Dispatches: The Great Ticket Scandal exposed how secondary platforms court major ticket touts and take allocations directly from promoters to sell on above face value to unsuspecting consumers.
“And it’s almost 2 years since Operation Podium, the Police unit set up to tackle Olympics-related crime, produced a report calling for legislation to tackle “unscrupulous practices, a lack of transparency and fraud” within the secondary market.
“Tomorrow, the House of Commons has the chance to pass that legislation. Clause 33 of the Consumer Rights Bill would give consumers looking for tickets basic information which the secondary platforms have been so keen to hide: who they’re buying from, the face value of the ticket, the seat number and, importantly, whether that ticket is being sold in contravention of its terms and conditions.
“Sadly, the Government tried to block this Clause in the Lords, and want to strip it out of the Bill in the Commons tomorrow.
“If the secondary platforms have nothing to fear from transparency, they have nothing to fear from these simple provisions.
“It’s high time the Government stopped sticking up for them, and decided to put fans first.
Signed by:
Adam Brown, Brownstock
Ali McLean, DHP Concerts / No Tomorrow Festival
Andy Bell, Festibelly
Andy Smith, Kendal Calling
Angus Baskerville and Charlie Myatt, 13 Artists Agency
Anthony Addis, Brontone Management
Barry Drinkwater, Global Merchandising Solutions
Bullet For My Valentine
Cancer Bats
Caroline Maclennan, Hebridean Celtic Festival
Chris Tofu, London Remixed Festival
Craig Jennings and Don Jenkins, Raw Power Management
Dave Newton, WeGotTickets
Emma Banks and Mike Greek, Creative Artists Agency
Freddie Fellowes, The Secret Garden Party
Gallows
Geoff Meall, The Agency Group
Harvey Goldsmith CBE
Hugh Phillimore, Cornbury Festival
Ian McAndrew, Wildlife Entertainment
James Scarlett, ArcTanGent
Jane Beese, Meltdown
Jeff Craft, X-Ray Touring
Jim Winship, The Event Services Association
Jo Dipple, UK Music
Joe Buirski, Fire in the Mountain
Joe Gibbs, Belladrum Tartan Heart
John Empson, Eden Sessions
John F. Smith, Musicians Union
John Jackson, K2 Agency
John Rostron, SWN Festival
Jon Webster, Music Managers Forum
Joshua Sanger, Barn On The Farm
Julia Calver, UK Centre for Events Management
Julian Bird, Chief Executive, Society of London Theatre
Kate Hewett, Tramlines
Katherine Goodenough, Greenbelt Festival
Lee Denny, Leefest
Martin Laws, Pangaea
Mooseblood
Nicholas Crow, Fling Festival
Nick Chambers, Beat-Herder Festival
Nick Mason (Pink Floyd), Ed O’Brien (Radiohead), and Sandie Shaw, Co-Chairs, Featured Artists Coalition
Nick Tanner, Glastonbudget
Nick Thomas, Chairman of HQ Theatres & Hospitality Ltd
Oliver Jones, Deer Shed Festival
Oscar Thornton, Farr Festival
Pablo Janczur, Brecon Jazz
Paul Bliss, Blissfields
Paul Flower, Profound Media & Management
Paul Reed, Association of Independent Festivals
Peter Davies, Eisteddfod Genedlaethol Cymru
Peter Elliott, Primary Talent International Agency
Peter Nosworthy, Nozstock Festival
Rachel Tackley, President, UK Theatre Association
Ralph Broadbent, Truck
Ralph Broadbent, Y-Not Festival
Reece Miller, We Are FSTVL
Richard Griffiths, Modest Management
Rob Challice, Larmer Tree Festival
Rob Da Bank, Bestival/Camp Bestival
Rod Smallwood, Phantom Music Management
Roger Tomlinson and Andrew Thomas, The Ticketing Institute
Roger Woodhall, Bournemouth 7s
Sam Eldridge, Urok Management
Sean McLoughlin, Village Green
Sidharth Sharma, Shambala
Simon Maltas, 2000 Trees
Simon Watson, Sidewinder Management
Sofia Hagberg, End of the Road Festival
Stuart Galbraith, Kilimanjaro Live
Turbowolf
While She Sleeps
Will Brown, In the Woods Festival
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