Review by Eric Page
There’s something magical about watching classical music shed its traditional constraints while maintaining its sublime power. Sunday’s performance at Eastbourne’s Congress Theatre proved that the London Philharmonic Orchestra (LPO) continues to be one of our most vital cultural institutions, bringing fresh energy to beloved classics.
Sterling Elliott’s interpretation of the Dvořák Cello Concerto was revelatory. As a queer critic, I’m particularly attuned to performances that challenge conventional interpretations while honouring the essence of the work. Elliott achieved this delicate balance masterfully. His approach to the slow movement was especially moving, finding new emotional depths without sacrificing technical precision. The third movement showcased both his impressive control and his ability to infuse classical standards with contemporary relevance.
Sibelius‘s Finlandia opened the programme with particular resonance. Written as music inspired by social struggle (Finland wrestling with Czarist oppressions), I was struck by how the LPO captured the piece’s journey from oppression to liberation. The transformation from the sombre opening to the triumphant hymn felt especially poignant in our current cultural moment. It starts in the shadows, all quiet and threatened, but builds into this gorgeous celebration of resilience and pride.
In the second half conductor Vinay Parameswaran brought exceptional insight to Beethoven‘s Seventh Symphony. Their interpretation highlighted the work’s inherent joy while maintaining its architectural complexity. The second movement flowed with graceful restraint, while the finale built to an exhilarating crescendo. The horn section deserves special mention for their brilliant contribution to the coda.
Congress Theatre proved an ideal venue, its acoustics allowing for both intimate moments and full orchestral swells to reach the audience with clarity and impact. The space seemed to breathe with the music, enhancing the connection between performers and listeners.
This performance reminds us that classical music isn’t a museum piece but a living, breathing art form. The London Philharmonic Orchestra, under Parameswaran’s direction, demonstrated how traditional works can speak to contemporary audiences while retaining their timeless appeal.
The Congress really is a very comfortable, fully accessible, truly modern space – a lovely easy journey by car, bus or train from Brighton, and you can see full details of this concert and up and coming events at Congress Theatre can be found here and full details of the London Philharmonic concerts in East Sussex here