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Reds continue supporting Liverpool Pride

Liverpool FC (LFC) will show its colours in support of this year’s Liverpool Pride festival (July 29-30) with a host of activities taking place across the club.

This will be the club’s fifth year supporting Liverpool Pride, which was first established in 2010 in memory of the murdered gay teenager Michael Causer. Michael tragically lost his life in 2008 and the festival was created in his memory and to celebrate the LGBT+ (lesbian, gay, bisexual, transgender) communities in the city.

This year’s Liverpool Pride will take place on July 29 and 30 promoting the theme of International Love – to celebrate LGBT+ lives around the world and highlight the places where it’s still illegal to be LGBT+.

As part of Liverpool Pride’s Come Out of the Shadows initiative, Anfield’s famous Kop will join many iconic buildings across the city in being lit up each night in the colours of the rainbow flag from July 22 – July 30.

LFC’s city centre retail stores will feature Pride-themed window displays and store staff will wear colourful clothing over the weekend.

On July 29, LFC’s CEO, Peter Moore will lead club employees at the march alongside Kop Outs, an LGBT+ fan group for Liverpool fans and the wider community, in a celebration of the culture of the city.

The LFC team will be encouraging Reds fans to get involved in the Pride march by having their picture taken with special LFC and Pride-themed Instaframes throughout the march. Fans who send the club their pictures via Instagram (@liverpoolfc) will be entered into the ‘Reds Go Rainbow’ competition with the opportunity to win a signed shirt and other LFC prizes. Reds marching staff will also be giving away LFC-themed rainbow armbands.

Peter Moore said: “We are passionate about equality, diversity and inclusion and are committed to its promotion with our fans, employees, players and the wider football family. This year, we were awarded with the Premier League Equality Standard Advanced Level for our work and commitment to equality. We are the only Premier League club to hold this, which is something that the whole team at the club are immensely proud of. 

“Five years ago we were the first Premier League club to support a UK Pride march and I am delighted to be continuing this support by marching alongside my colleagues at this year’s Liverpool Pride.”

Liverpool Pride will take place on July 29 and 30. For more information, click here:

 

 

 

New inequality campaign from Absolut

Absolut shines light on global LGBT+ inequality with new Kiss With Pride campaign.

Absolut has created a powerful poster campaign to highlight the fact that it is still illegal to engage in same-sex activity in 72 countries worldwide as part of its campaign for a more inclusive and open world.

Launched to mark the 50th anniversary of the amendment of the Sexual Offences Act – the Act of Parliament that saw homosexuality partially decriminalised in England and Wales – the poster series features individuals from many of those 72 countries sharing a same-sex kiss to celebrate their own freedom of expression.

Shot by celebrated photographer Sam Bradley, Kiss With Pride reflects Absolut’s belief that people should be free to love who they choose and builds on the brand’s progressive views and ongoing mission of championing equal love.

The images capture intimate moments that would not be tolerated in those individuals’ homelands, with many of the nations represented regarding same-sex activity as a crime punishable by death.

Sam Bradley, said: “I was drawn to the Kiss With Pride campaign because the idea was so pure. I knew I had to be involved, it’s quite rare for advertising to be for a cause without it feeling disingenuous. This felt absolutely natural and true. 

“The more people that see these images the better. And not just in progressive cities like London and New York. I would really like the images to reach people outside of that bubble and to start a constructive conversation.”

The Kiss With Pride images were exhibited at a launch event at the Houses of Parliament, which saw passionate speeches from a number of LGBT+ activists. The assembled guests were encouraged to celebrate the work done so far in progressing attitudes in the UK, but also reminded of the work still to be done worldwide.

Sam Bradley’s images for Kiss With Pride will be rolled out as part of a nationwide poster and digital OOH campaign, and displayed along the route at Brighton & Hove Pride. In addition, Kiss With Pride will appear as print ads across national news and consumer lifestyle magazines.

From August 3-6 the images will also be displayed to the public as one collection at East London’s Protein Gallery (31 New Inn Yard, Shoreditch, London EC2A 3EY).

As part of the wider campaign Absolut has also launched a #KissWithPride Snapchat Lens, which will see £1 donated to Stonewall for every use.

Absolut has reserved the lens during Brighton Pride, where the Snapcode will feature on along the parade route and in select bars and restaurants. The Snapcode will be available nationwide all summer.

The launch of Kiss With Pride sits within Absolut’s recently launched Create A Better Tomorrow, Tonight platform, designed to celebrate the brand’s core beliefs and its continued collaborative approach.

Adam Boita, Pernod Ricard UK’s Head of Marketing commented: “As a brand we have a long history of working collaboratively with the LGTBQ community, so the 50th anniversary of the Sexual Offences Act was a moment in time that we were keen to celebrate. The fact that millions of people around the world still aren’t free to love who they choose goes against everything Absolut stands for, so the Kiss With Pride campaign is something we’re extremely proud of.”

Ruth Hunt
Ruth Hunt

Ruth Hunt, Chief Executive, Stonewall, said: “Consensual same-sex activity remains illegal in 72 countries, and is punishable by death in eight. These figures serve as a stark reminder that we must not be complacent about what’s left to do until all LGBTQ people are accepted without exception.”

The Kiss With Pride campaign follows on from the recent release of Absolut’s beautifully shot Equal Love film, a similarly powerful statement that used a never-ending and diverse kiss as a metaphor for acceptance and love without discrimination.

Follow @AbsolutUK and visit www.KissWithPride.com for more information on the campaign and upcoming projects.

 

Police reassure visitors to Pride in Brighton & Hove

Police reassure public about safety at Pride in Brighton & Hove on August 5, which is set to be the biggest and best yet.

Sussex Police have issued a statement reassuring residents attending events in the city, as well as local residents and businesses, that they are working with organisers and partners to make sure Pride in Brighton & Hove 2017, remains safe and welcoming for everyone this year.

Assistant Chief Constable Laurence Taylor, said: “Months of preparation have taken place in the lead up to Pride and as in previous years, public safety is our main priority. We are taking all reasonable steps to ensure the wellbeing of those attending as well as minimising disruption to those going about their daily business.

“Similarly to last year we will have a number of armed officers working across the city over the weekend and we will again be making use of the National Barrier Asset.

“As always, we ask that the public demonstrates a certain level of personal responsibility including things like taking care of belongings, following personal safety advice and flagging any issues or suspicious behaviour to event staff or police.

“With Pride organisers, we want to promote an inclusive and enjoyable atmosphere for all. We look forward to seeing you there and wish you a fun Pride 2017.”

Paul Kemp
Paul Kemp

Paul Kemp, Managing Director of Brighton Pride CIC, added: “As we celebrate the milestone of the 50th anniversary of the partial decriminaliastion of homosexuality in England and Wales, this year’s Pride is all set to be one of the best ever.

“Extensive planning takes place year-round between Brighton Pride CIC and our partners at Sussex Police, Brighton & Hove City Council, ESFRS and SeaCamb.

“Our detailed event management plans are continuously updated to reflect all relevant advice and legislation and reviewed by all parties and a citywide Safety Advisory Group.

“Pride would like to thank our colleagues at Sussex Police and all our statutory partners for their support to Pride in our City and, as always, ask locals and visitors to Pride to be vigilant and look out for each other.

“Have an amazing Pride.”

Global superstars and pop royalty, Pet Shop Boys will be headlining this year’s Summer of Love Festival on Preston Park on Saturday, August 5, bringing their complete SUPER TOUR show to the city. Other main stage guest artists include Years & YearsLouisa Johnson, Becky Hill, M.O, Fickle Friends and KStewart.

To book tickets online, click here:

 

PICTURE DIARY: Eastbourne LGBT+ Mardi Gras

Thousands of LGBT+ people, their friends and allies attend Eastbourne’s first LGBT+ Mardi Gras on Saturday, July 22.

 

Eastbourne certainly came out in large numbers to support the towns first celebration of LGBT+ folk. Rain held off long enough for the parade to pass and main stage speeches to be made by chair of the organising committee, Betty Gallacher, Human Rights Campaigner Peter Tatchell who said: “The message of Pride was to celebrate the contribution that LGBT+ people make to the Eastbourne community” and for tribute act ABBA Magic to get the crowd on their feet and dancing.

The Mayor of Eastbourne, Cllr Pat Hearn was in attendance and led the parade in an open top car from Langney Point along the seafront through Fort Fun car park to Victoria Park.

This was an LGBT+ event of the old skool. It was free, there were no licensed bars on the park (but you could take you own alcohol on with you) and everyone who came was determined to have a great time with many bringing picnics and chairs to the park with them.

The crowd was very mixed with lots of children and families, the dance tent was full all day and the stalls in the community village appeared to do good business. Such a shame it rained later in the day.

It was great to see support from some Brighton organisations on the parade including Brighton Gay Men’s Chorus, MindOut and Brighton and Hove Bus Company as well as representation from some national unions and I spotted many Brighton faces among the crowds.

Only slight disappointment was the route taken by the parade. It was hidden away on a part of the seafront that was not very busy. The purpose of a Pride parade is to raise LGBT+ awareness and that can only be done by taking it through the centre of the town. Something for the organisers to aspire to next year.

The event was organised by LGBT+ support group Bourne Out.

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BOOK REVIEW: Ocean Vuong: Night sky with exit wounds

Ocean Vuong

Night sky with exit wounds

Ocean Vuong’s words writhe and spin the page, his usage and abuse of English is astonishing, he’s more smelter and Vulcan at his poetry forge making these words transform into something other than just letters and meaning, his poems are almost living things, they move in meaning and temperament deepening on how you view them and they squint back at you, spitting, laughing, quietly crying in the corner then looking you straight in the eye with this dark pool of experience.  His ability to re-position, juxtapose, highlight and bring words forward in a flash is astonishing and urgent and his writing gripped me from the moment I opened this book.

His own journey to becoming a poem is as fraught, curious and intense as is his writing and he has the ability to capture small silent moments that will stay with you, nagging you to read them again. To let the words expand in your mind blossoming into his curious and stark beauties. He can compress more ugly things and times too, into something hard and small enough to cope with, but their deceptive lead-like weight gives away their density.

I judge a poet (and I hear Walk Whitman & Emily Dickinson tut tut’ing at my presumption, both surely would have thrilled at Vuong’s talent) by the way the words cling to me, find me in small silent moment, flash up along the hard shoulders of the highways of my life, demand attention from me and hide under pebbles, it’s been two weeks now and still Vuong’s words stalk me. Sometimes poets and poems come to you when you are in most in need of them, they salve or cauterise, but they change you by the reading of them. I never turn my back on a poem and Vuong’s own difficult experience in life and seeking honest gay experiences and love echo me, and each and every one of us. He’s both startlingly original and universal.

He takes us across his life and experience, taking in huge themes; life, death ,war, loss, change, sexuality, queerness, outsider, lover, student, teacher, and  leaving small gifts of glowing hope, that float to the surface of these crafted works. His gay love poems are stark, beautiful and utterly unnerving in their uncompromising adoration. No fear, although often trembling, these poem contradict themselves, strong and fluid, dark but searing, honest but wrapped in untruths.

This book is a magical journey into the imagination and talents of Vuong’s mind and worth pursing for anybody interesting in poems which can change. More spells than sentences, they alter reality as we read them and leave us impressed and impressed upon by this astonishing young man’s collection of debut work.

This is a beautiful, challenging and softly stunning collection of writing and worth reading to remind ourselves of how tender, urgent and universal are our feelings.

Recommended. 

£10.00

For more info or to buy the books click here:

“Helping your community is reward enough” – Bert Williams

Making a better world and helping your community will reap rewards far greater than cars or houses, University of Brighton graduates were told yesterday (July 26) at an annual graduation ceremony.

Photo: Jim Holden

Bert Williams MBE, the driving force behind Brighton and Hove Black History, was speaking as he received an honorary Doctor of Letters from the university for his contribution to the promotion of race equality in the local region.

Bert said: “I have had the opportunity to research black history and promote race equality throughout Brighton and Hove – it is in this area of my work in the community that has resulted in not only the recognition I am receiving today but also in receipt of my MBE from the Prince of Wales at Buckingham Palace in 2011.”

The two awards, he said, led him to the message he wanted to leave to graduates receiving their degrees at the Brighton Centre: “It came to me as I was working with the outstanding team of volunteers alongside me. I was supported by humble, polite, honest and kind people – not working for the glory of status or financial rewards but all working to inform and educate those around them

“Success in this context was not measured by cars, houses or social status but by the difference they make in people’s lives.

“If you are working and striving towards a goal, only focusing on the immediate rewards, financial or otherwise, it will fog your judgement and impair your decision-making.

“If you seek to make a difference, improve your community and create a better world for the generation behind you, your success will be rewarded beyond anything that you have ever imagined.”

Bert, who received a standing ovation during  graduation ceremony, came to England from Jamaica in 1960 at the age of 16. He served in the RAF and then worked for the NHS until his retirement. He chaired Mosaic, a local group for black and mixed-race families, and in 2002 he co-launched Brighton and Hove Black History. He also organised the Chattri Memorial service on the Sussex Downs, which commemorates Indian soldiers who fought during the First World War.

Bert was introduced at the ceremony by Professor Chris Pole who recounted Bert’s comment to a local reporter after receiving his MBE.

Bert was quoted as saying: “I feel quite touched really, and quite honoured. I would not have been able to do it without the community. They have been really supportive. There are such beautiful people in Brighton – the nicest place I have ever met. This award is for them.”

FEATURE: Why we need a ‘Queer’ Theatre (now, more than ever)

Still buzzing from a jam-packed Brighton Fringe programme and clad in his retro lavender style – a look I’ve come to associate with the man behind the Marly – I sat down with Tarik Elmoutawakil to discuss the challenges and rewards that come with programming queer performance.

Artwork Hizze Fletcher: www.hizzefletcher.com
Artwork Hizze Fletcher: www.hizzefletcher.com

Since relocating to the UK three years ago, I’ve been hungry for a queer theatre reminiscent of Buddies in Bad Times Theatre: the bold and unapologetically ‘queer’ theatre that continues to carve its place in the landscape of Canadian art.

Tarik joined the Marlborough Pub and Theatre as a bartender 15 years ago, but in 2008 he ambitiously took charge of the theatre space because it was at risk of shutting down indefinitely. David Sheppeard joined Tarik shortly after that, and then Abby Butcher in 2012, and these three impassioned individuals share the Creative Producer title. Simon Booth (Technical Manager) and Ema Boswood (Programme Coordinator) joined more recently and complete the entirely queer team behind one of the only specifically LGBT+ performance venues in the UK.

The Marly team photo: Rosie Powell
The Marly team photo: Rosie Powell

Like queer theory itself, the Marly’s artistic mandate is amorphous and constantly shifting with time. Fundamentally, Tarik and his team aim to programme work that explores “intersectional perspectives.”

As demonstrated through LGBT+ communities, identity is a diverse spectrum and the Marly hopes to reflect that diversity onstage through theatre, music, cabaret, live art, comedy, dance and digital media, ultimately “challenging singular representation.” To Tarik, queer performance “dismantles structures and speaks truths from unheard voices.”

Every voice within the LGBT+ communities is unique and exhibited at some point at the Marly, but Tarik explained that the venue especially fosters work from trans and non-binary artists because they are often excluded in the mainstream arts scene. The Marly strives for inclusive programming where “minorities and the oppressed can feel safe and represented onstage.”

However, that isn’t to say that anyone and everyone is welcome to perform at the Marly. Is there a limit to exclusivity? Do we want racists and homophobes and sexists onstage? Obviously not. Tarik’s philosophy is to “discriminate against discrimination.” But this can’t be an easy feat.

When asked what challenges come from programming for a festival like Brighton Fringe, Tarik explained that the Fringe is open-access (unlike the rest of the year’s programming) and much of the work is ‘in progress’ when the artist applies. This means that the Marly team may only see the completed show during the final dress/tech rehearsal.

According to Tarik, there have been instances in the past where he discovered problematic details within a show (ie. a line or image that could alienate a certain group of people in the audience) and had to discuss it with the artist. Never overt bigotry, but rather “micro-aggressions that needed to be addressed.” Luckily, most artists have been grateful for the feedback and gladly made the necessary changes to include every kind of audience member that frequents the Marly.

The fact is that some artists need to check their privilege. Even though someone belongs to the LGBT+ communities, and has experienced prejudice in some shape, way or form, they do not then have permission to oppress another marginalised group.

If we step out of the theatre for a second: the assumption is that everyone in the LGBT+ community is open and accepting, but you just have to switch on Grindr to find ‘NO FATS NO FEMMES NO ASIANS’ plastered across ‘MASC 4 MASC’ profiles.

Just like our seemingly inclusive community, white, male privilege remains rampant in queer art today, and venues like the Marly have a responsibility to hold artists accountable for the messages they spread with their work. Who else is going to do it?

At its core, queer art is about taking risks. Identities and ideologies are being challenged and subverted, and people are bound to be offended. But that’s the point – art is supposed to affect its audience. Mistakes might be made and language might alienate, but venues like the Marly open up a dialogue around reductive rhetoric and representation within the LGBT+ communities. As seen in their upcoming (and meticulously curated) Trans Pride programme, workshops and Q&As are scheduled alongside specific performances in hopes of unpacking ideas at play and facilitating much-needed conversations about the work.

But running a queer theatre isn’t all about challenge and intensity – it’s also incredibly rewarding. Tarik revealed that he has met so many of his queer heroes through the Marly, some including: Mykki Blanco, DarkMatter, Kate Bornstein and Split Britches. And more importantly, Tarik finds genuine joy in creating a community hub “where you can live closer to the ideals you want to see in the world.”

When asked to describe the Marly’s future, Tarik envisioned “an environment where queerness is normalised and where people are emboldened by seeing fragments of their identity reflected onstage.”

A ‘queer’ theatre is so much more than just a theatre; it’s a laboratory; it’s a sanctuary; it’s a protest. And in our current political climate, as our government is infiltrated by homophobic, sexist DUP extremists, I can’t think of anything more important than a space that hands a microphone to the voiceless and shines a spotlight on the marginalised. The only way change will come is if we speak up, stand out and listen; and that’s why we need performance venues like The Marlborough Pub and Theatre.

Photo: Rosie Powell
Photo: Rosie Powell

A Golden Celebration at Bar Broadway

Current holders of the Golden Handbag awards for Best Small Bar and Best Bar Person, Bar Broadway in Steine Street, celebrates it’s third birthday this weekend, with four days of celebrations starting from Thursday, July 27.

On Thursday, July 27 at 8pm its the Bar Broadway Big Birthday Quiz guaranteeing a £333 cash prize. It’s ten short rounds, with a twist at the end of each round. Ross Cameron will be hosting and writing the quiz, with a couple of guest rounds from Alasdair and Michael.

On Friday, July 28 at 8.30pm, Sally Vate and Ross Cameron will be hosting the monthly Showtune Karaoke. You can sing any song, as long as there is a tenuous (potentially disputable) link to a musical or movie.

On Saturday, July 29 at 8.30pm, the Broadway Lounge will be taken over by six local comedians in the Laughter In The Lounge, The Jelly & Ice Cream Special. Entry is only £3, and vodka jelly shots and theatrical style ice cream tubs will be available in the bar.

 

Sunday Night, July 30, sees the expanded Fireplace Sessions with five performers starting at 7.30pm

7.30pm: SOPHIE CAUSBROOK the Bar Broadway favourite with the angelic vocals

8.30pm: LAURA NIXON AND KARA VAN PARK as Marilyn Monroe and Jane Russell

9.30pm: JENNIE CASTELL and JASON THORPE duetting in Bar Broadway for the first time.

DJ PROFILE: Summer Ghemati

Just in case you hadn’t noticed, there’s a little event happening in Brighton & Hove this month… As the sun no doubt shines beautiful rays down on our fabulous city, the UK’s finest Pride weekend is only moments away!

This month, Queenie catches up with the gorgeous DJ Summer Ghemati to hear about her plans for the joyous celebrations.

Hello, how are you? Hey, I’m really good thank you. Excited for Pride!”

Where do you DJ?  “Well… at Pride you can catch me playing the Girls’ Dance Tent in the Park, which is gonna be super fun! I’m playing twice, firstly 12-1pm and then again from 7-8pm which are wicked slots. Also, I’m at Lovebeat Pride special at Coalition with Maze and Masters, Sami Kubu and Ellie Cocks. Apart from Pride you can hear me in Sankey’s in Ibiza, for Care3, New London plus at the legendary Beyond and A:M.”

What music rocks your world these days?  “All sorts, but I’m a groover at heart so I love anything with a good bassline and a fair bit of percussion. I love me a good bongo roll, haha! I’m liking the sounds of artists like Marco Corola, Joey Daniel, George Smeddles and Jader Ag.”

What’s so good about Brighton Pride? “Pride is special because of course it’s about equality for the LGBT+ community – but also it’s such fun! I get to party with all my favourite people in one place and I get to take my auntie to Pride as well, so it really is a day for all to celebrate!”

Standout tune you’ll be playing at Pride?  “YES – Homeless by Ralo, Strada & Jay De Lys. I’ve been banging this out for a month or so. It always gets an amazing reaction and bridges the gap between classic and tech house.”

Any amazing Pride memories? “Every Pride has been special to me, but my first one was the best! Seeing Verity Maze play the Wild Fruit Tent before she became part of a duo was unreal…”

Fave tune ever?  “Impossible! Okay, it’s got to be Just Sing by Distant People featuring Patrick Chappell, Muthafunkers remix. Soulful vibes.”

Guilty pleasure? “Joss Stone and 2am trips to McDonalds!”

Describe yourself in three words! “Passionate, energetic and sarcastic (in a nice way!).”

Summer Ghemati’s current top five: 

♦ Mirco Caruso Moover Nervous Inc.

♦ Jader Ag Ooga Booga Habla Records

♦ Bassel Darwish My Groove Habla Music

♦ Joey Daniel Crossing Borders Noexcuse Records

♦ Roberto Surace Sunrise In Ibz Proper Musique

 

Carry On Up The Crown Prosecution Service

Or: Why, the next time it happens, I’m not sure I will bother the police, by Craig Hanlon-Smith

On the evening of May 13, 2016, my husband and I boarded a First Class train carriage to Manchester from London Euston. We heard the ladies before we saw them, as the group of three, aged between 35 and 55, rolled up the aisle laughing hysterically and demonstrating every gulp of wine they had clearly spent the afternoon mistaking for water and solids. As they settled at the table in front of us we were thankfully invisible to them, but they were giving the train crew a particularly hard time.

The train manager let it be known that he could have refused to allow them to travel based on their behaviour on the platform, whatever that was, but that they would not be served any alcohol on board. As the refreshment trolley arrived, and they were politely refused service of anything stronger than tea, pandemonium ensued.

You can but imagine the self-righteous indignation of Wilmslow’s drunken finest, as the carriage was repeatedly informed by the ringleader of the ladies (I shall refer to her as woman one), just how much money had been spent on First Class tickets which ‘entitled’ them to drink more wine. The train crew were politely and rightly having none of it, and as our leading lady began wafting her chiffon scarf in their faces and screeching as if to impersonate a steam train whistle, the Virgin West Coast staff asked for our help. “Please would you be witnesses to what is occurring here?” the manager apologised, and from the moment we kindly agreed, so it began.

As we wrote our names and contact details down for the train manager, woman one, invited herself to come and sit at our table and so ensued an onslaught of abuse which began with her suggesting that my husband’s wife was a slut. This was one of only two times I intervened to inform our intruder that the gentlemen did not to my knowledge have a wife as he was married to me. In the interest of moving the plot forward I shall spare you the grislies, but we had barely moved on to: “You’re both going to die soon because men your age kill themselves“ before woman one took advantage of the information I had graciously given her, and asked: “Were your parents proud of you when you told them you were gay?” In short this took the lid off one of the accompanying flock, whom I shall refer to as woman two, informed us that, “Your problem is you’re too fucking gay,” and in case we were hard of hearing repeated the latter part of this three times.

The train crew and manager were wonderful throughout, contacting the Virgin Communication Centre and then the police who, we were promised, would soon be boarding and the ladies off-loaded. The hostilities continued throughout the journey, phoning their friends and laughing hysterically, repeating: “We’re going to be arrested because some gay guys think we’re homophobic – we’re not homophobic” and the manager came and sat at our table, now called “a queer lover” and “gay wannabe” for his trouble. I’ve spared you the detail but their abuse and humiliation continued unabated for an hour and a half.

The police did eventually board in Crewe, 90 minutes into our experience, at which point whilst her companions became mute (woman three had remained pretty silent throughout to be fair), woman one threw herself to the floor, began kicking the doors and punching the floor (I’m not kidding) and began to wail at the injustice of it all, as she was “just trying to get home to her husband” and “I’m not letting happen to me what happened to those poor people in Hillsborough”. 

Were I myself not so upset by the abuse we had just tolerated for an hour and half, I might actually have offered her a cuddle at this point and asked: “You ok, hun?” but to be clear, as we had not engaged with these women at all during this abuse, we were not about to start now.

The police took us to another carriage, and we were pursued by two men we had not seen until now who offered their services to the police as witnesses. “What these men have been though for the whole journey has been terrible,” they informed the senior officer and he took their details promising they would be contacted in due course. We asked if the women would now be removed from the train. Alas, no. We were assured that now we were in the company of the officers we were safe, and although the Senior Officer apologised, he stated clearly that he did not have the resources to take these women to the station and to remove two officers from active duty to interview them. We were assured that the women, and we, would be interviewed the very next day.

The police escorted our aggressors off at their stop in Wilmslow and we were immediately heartened by the switch in atmosphere on the carriage. The witnesses shook our hands and strangers came forward to express some sympathy at our experience. One hotelier offered us a complimentary meal and drinks the following evening in central Manchester and the Virgin staff, who had been excellent throughout, took our details and later that week sent gifts to our home. The kindness of strangers quite possibly saved us, certainly me, from losing my marbles that evening.

We were indeed interviewed the next day. Two officers arrived at my brother’s house in Manchester, much to the excitement of the children, and the interviews lasted for almost three hours, separate officers, in different parts of the house, and we read and signed our statements all within 24 hours of the incident. What I remember about the interview now is being asked: “Do you consider this to have been a hate crime?“

I said, “No.” No, on account that we were dragged into an incident that was originally something completely else. Although our sexual orientation was used and abused as a point of fun, insult, intimidation and hostility, I felt their insults were lazy and opportunistic, not from a point of hate. It was their overall behaviour that was upsetting. Self-righteous, indignant, drunk, aggressive, abusive, intimidating, hostile, unrelenting and sustained. Utterly anti-social. For at least 90 minutes, despite our calm and unresponsive exterior, we were humiliated, and in that moment I, for one, felt 13, friendless and embarrassed to be myself in the school canteen, in a small town Lancashire in 1985.

Aside from a wobble on the return journey two days later, when I felt overwhelmingly anxious, we didn’t give the experience much thought, until almost two months later, I was contacted by a CID officer who informed me the case had been passed to him and he would be visiting the alleged offenders within the week. I asked after the investigation and how had the women responded when first interviewed. DC Henderson informed me that this case had moved from desk to desk and that the women had as yet never been interviewed. In short, the only people to have been interviewed within 24 hours of the incident were my husband and myself, no other interviews had at this time taken place. The officer assured me that now the case was his, it would now progress and gather some speed.

To his credit, I received a number of calls from DC Henderson over the coming days to keep me up to date with how the interviews were progressing. The most interesting of which was an offer to us both from woman one.

“The lady in question,” the officer began, “would like me to put to you, that in order to make amends, she is happy to meet you both in London, money is no object and she will take you to a restaurant of your choosing.” 

At this point, we had thought that any investigation into these women would be on account of all their behaviour, including their hostility towards the train crew and so after consulting my husband, I politely informed DC Henderson that we would not be taking up the offer, as we did not want to make such a decision on behalf of the others involved, nor did we wish to step naked into the viper’s nest.

And then it came: “She’s not your average homophobe, sir.” 

“Oh?” 

“Not at all, she lives in a £1.4million property in a gated complex in Cheshire.” 

Goodbye, officer.

Another three months passed and the police arrived at our house in Brighton, some 250 miles from the incident and original investigation. The officers undertook additional interviews they now referred to as Victim Impact Statements, and informed us the Crown Prosecution Service (CPS) were proceeding with a prosecution of woman one and woman two. An initial Magistrates court date was set for late December and the police stated that as there were four witness statements, the evidence all matched up, they were likely to plead guilty and that would be the end of that.

In January we receive a court summons. The defendants had pleaded not guilty at their earlier hearing and the Magistrates court trial date is set for mid-March, in Staffordshire, some 10 months after the incident. We agree to attend, but do not want to go. We become irritable with one another in the run up to the date, there is even one full-blown ‘proper’ argument I think borne out of frustration, embarrassment, and all those feelings of being the stupid skinny 13-year-old gay boy shouted at in the playground. The whole episode feels grubby, upsetting and unnecessary, after all, all we did was get on a train and agree to help the beleaguered crew in the face of these drunken women.

As we sit in the witness waiting room, it feels uneasy but strangely comforting to be reunited with people who helped us on that night. The train manager, John, arrives with his manager who has attended to support him, small acts of kindness that remind me of the good in the world. We begin discussing the events of 10 months ago and John informs us, “When the police contacted me to make a statement, I had forgotten all about it, it was more than three months after the fact.” 

We are stunned. Three months? How can a witness be expected to recount accurately events that took place three months prior?

The prosecutor enters and informs us that our statements cannot be located. He asks if we have seen and read them recently, and we inform him not since the day we signed them ten months earlier, no. He bumbles off appearing confused, harassed and his dishevelled appearance leaves me with little confidence that he is the man for any job, let alone this one. We hear the names of the defendants called out over the tannoy system, it’s game on. I pull my socks up, breathe deeply, and smile weakly at my husband in the vain hope he will not appreciate how sick I am now feeling.

The prosecutor returns, now sweating, and states: “You’ve heard what’s happened?” I have no idea where he thinks we’re accessing our court information when we have spent the past 90 minutes in a waiting room with witnesses to cases of domestic violence, pub brawls and bicycle theft.

We are informed in somewhat rushed and hurried tones that, in short, the administrators working for the CPS, had completed the paperwork for woman one, the main culprit, in the shenanigans on the train, incorrectly. This paperwork had been sent back and forth between the courts, the CPS and the defendant’s solicitor in what can only be described as thinly veiled delaying tactics, and by the time we all arrive at trial the case against her has ‘timed out’. It is now withdrawn by the magistrates and she’s off. All for a simple administrative bungle and a delay in the time it took, woman one will never have to account for her behaviour that night ever again. The prosecutor goes on to say that case against woman two, an also ran, who sporadically ‘joined in’ with the tirade of the main accused has been adjourned and will be heard at a later date, we will need to return in a few months time.

The lid of decorum I have unnaturally maintained at the instruction and advice of everyone around me, except myself, now blows off: “But she’s the case! Without her, there is no case for anyone to answer!” I shout at the prosecutor who feebly puts his hands up like a saloon barman in an all but forgotten shoddy western and says, “I’m just the messenger”.

I feel my husband’s touch upon my elbow, which after 17 years, I have come to understand means pull it back love, and we leave.

I spend the next few days trying to make sense of what has happened and our witness liaison administrator, Loretta Ray, tries to be as helpful as possible. She explains that, although the charge against woman one was clear in the detail of the court papers, the technicality of law states that court documentation must be completed accurately, and it has to be written into a specific box on the form. It was not, and as a result, the form was sent back to be corrected.

However, Loretta was off sick with a bad leg for four weeks and no one opened her post – are you keeping up? Upon returning to work, it was already too late. The CPS did not believe the technicality of law would matter to any great extent and so pursued the case anyway until it was thrown out of court. And as I reread this, I am reminded of the plot of many a Carry On film, the later ones, that were not funny.

I explain to a not nearly bewildered enough Loretta, that the delays by the police in interviewing the accused, then in interviewing other witnesses, then the lack of attention to detail in the administration of this case leads me to feel that it simply did not matter enough. A couple of queens take some verbal stick on the train, nobody died, no one was physically hurt and it is just not a priority. I am transferred to Loretta’s supervisor and repeat my feelings and am told: “It’s not like that,” and “Of course this was taken seriously.”

Some months later, and to our total surprise, the case against woman two comes back to court. Whilst I appreciate that the lady in question did play her part, and did hurl some unpleasantries in our direction, and despite my complete lack of legal credentials, I cannot see it sticking, but the CPS insist and she is charged with a range of verbal related ‘assaults’ with the ‘intent to cause distress’. And so back to the Premier Inn at Cannock for a second court appearance for an event which now took place some 13 months prior.

Let us not dwell too much on the continuing incompetence of those employed by the CPS. In brief, I received an email confirming train tickets booked for a Sunday, when they were in fact booked for the Monday. We did not receive any court notifications or paperwork, when previously we had received reams of it. This was then hastily emailed less than a week before, and clearly identified a 2pm afternoon court session. At 9.35am on the day of the appearance, I receive a phone call from the prosecutor asking where I am as I was expected at court no later than 9.15am. There is, of course, an error on the paperwork and the court session is set to begin at 10am. As all witnesses were invited to attend a court appearance at 2pm, none of the others are able to be there in time for the hearing and arrive much later in the day, once the magistrates have already decided not to waste any more time, and simply read through their statements, not question their authors in person.

I give evidence for close to 90 minutes. The prosecutor (a different one) is quite impressive this time around and asks me to describe several times how the incident had made me feel. The defence lawyer is sympathetic to the experience we had endured, but I can see how this is going to go. His focus is regarding the actions of woman one, who is not present, and suggests that my story is exaggerated to suit my purpose and it is my word against his client’s. He points out to me and to the court, who can in truth decide whether my version of events or his client’s is the correct memory of the incident?

I don’t hold back. “You tell me,” I say, “whether a statement taken within 24 hours of the incident is more or less accurate than one taken two months later,” and although the clerk to the court suggests I may wish to sit in the session for the rest of the day, I politely decline and go home. I am done with it.

A week later, I receive a phone call from Loretta at the CPS witness care division, to inform me that woman two was found ‘not guilty’, and I am, alarmingly to myself, incredibly upset. Not at the verdict, I expected it, I did not believe there was a case against woman two, not on her own, but upset at the whole sorry process.

The incident itself made me feel like a stupid and unattractive gay teenager who would never amount to much, and it was alarming to me how despite when 30 years later you have a great husband, terrific friends, you are secure, content, loved, liked, busy, wanted, and yet all of that teenage horror springs into action in a moment, the anxiety returns and hovers like a threatening thundercloud for months.

More so, the disregard for all of that human sensitivity in how this process was poorly managed by the police and the CPS. For the women not to be dealt with in the moment because the resource is not available, for the accused then not to be interviewed for two months as the case is passed “from desk to desk”. For the witnesses not to be interviewed for three months the reasons for which are unknown; for the total incompetence in completing legal paperwork incorrectly which enables the main horrid culprit to walk away unscathed, and leave woman two crying in the spotlight she should quite possibly never have been in the first place. And for all this to have happened, because we boarded a train, as so many of us do every day, and were asked to help a fellow human being who was taking stick whilst trying to do their job.

The most recent court appearance was, at the time of writing, less than two weeks ago and the verdict delivered to my doormat only a few days ago. The events of the past 13 months may therefore be too close to call, but I have to ask myself the following questions. Faced with the same set of circumstances again, would I put my trust in authority and the ‘right way of doing things’?

When asked to help a staff member in trouble, should my response now be: “Nah mate – you’re on your own, I’m not getting involved”? Who would blame me? Should I have accepted the invitation for a slap up meal swilled down to certain gout with litres of champagne? After all, our friend escaped justice anyway, why not at least see her openly buying her way out of it and get drunk on the proceeds?

We should all fear the cuts to public services, when as a result the aggressive anti-socialites will just be sent home to snuggle up with a hot water bottle. Any suggestion in this part of the world that LGBT+ liaison officers are not needed nor part of future budget plans should be openly and publicly resisted, these officers are there to help us, and without them? Well, see above. And should there be a next time, would I sit quietly with polite decorum in the face of a sustained, horrible and public tirade of abuse and let the justice system run its course? Well that remains to be seen.

I used to be angry with those who were victims of such incidents, and did not report it to the police. “You have a duty, to all of us,” I would say. Now, I understand them more.

@craigscontinuum

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