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‘Educate & Celebrate’ certify 60 new LGBT+ friendly ‘Best Practice’ schools

WEB.600In a year-long project supported by the Department for Education and the Government Equalities Office, LGBT+ charity Educate & Celebrate have certified 60 primary and secondary schools as centres of best practice.

Since April 2015, schools from around the country have been completing a whole-school targeted approach to combating homophobia, biphobia and transphobia. This has included updating all school policies in line with the Equality Act (2010), as well as broadening their curriculum to ensure that LGBT+ Inclusive material is mainstreamed.

A teacher at a Birmingham School, said: “The greatest impact so far has been with the pupil’s reactions. They are confident to talk about these matters without being silly. They are no longer surprised about the term ‘gay’ being used and know that it is wrong to use the term negatively.”

The Educate & Celebrate best practice programme, which has been called “innovative and visionary” by Ofsted, educates and equips students, teachers, parents and governors with the tools and resources to turn their schools into spaces that actively embrace diversity and empower young people to feel confident in their identities and comfortable to campaign to be treated equally and fairly.

Elly Barnes
Elly Barnes

Elly Barnes, CEO and founder of Educate & Celebrate, said: “The journey to inclusion with our 60 schools has been a ground-breaking experience for all involved. Teachers report LGBT+ students coming out ‘in bulk’, staff now having the ability to explore LGBT+ within the classroom without worrying resulting in a real acceptance and understanding of difference, which has helped to eradicate discrimination. This new openness through inclusive teaching and learning has positively impacted on the lives of the students and teachers forever – what a journey!” 

The impact on young people has been profound, as they are inspired to form Pride Youth Networks and take steps to campaign for equal rights, representation and visibility for all. These school clubs are safe spaces where young people can share with one another, plan campaigns and talk about their gender identities or sexual orientations with knowledge and understanding and without fear of recrimination, as well as learn more about the history of social and civil rights.

A teacher, from a Nottingham School, added: “We feel, as a school, that the Educate & Celebrate programme has had an overwhelmingly positive impact on the inclusivity of our daily practise. To think that we are equipping our children with the relevant knowledge to be open minded, fair individuals and giving them the opportunity and confidence to be whoever they are without fear of recrimination is a real leap forward in the culture of our school.”  

For more information, click here:

OPINION: London to Brighton

What has Brighton got – that London doesn’t? “A beach!” I can hear the sarcastic cries above the squawking seagulls.

Gaz Goulding
Gaz Goulding

Apart from all of the usual suspects of a seaside town, I wonder what it really is that sees me, as well as thousands of other gay men, flock to the Sussex seaside throughout the year – come rain or shine.

It’s no secret, as written about in January’s Independent newspaper, I came to Brighton at one point in my life to end it all and because of many of its wonders and support groups – I didn’t go through with it. That night the seaside really did save my life.

The Brighton & Hove, LGBT Community Safety Forum, Brighton and Hove LGBT switchboard, and MindOut the LGBT mental health project supported me with advice despite knowing I wasn’t a resident of the city. Something my own home borough in London didn’t provide. That to me is testament to a wonderful place and I will always be thankful.

I’m not going to discredit the London scene entirely as there definitely were times, growing up, that it provided me with a safe environment to make friends, meet boyfriends and feel free and uninhibited.

The London scene has seen dramatic changes with the closures of some of its most iconic bars and clubs: my favourites being G.A.Y at Astoria, Escape and Madame Jojo’s, Brewer Street.

But Brighton, to me, is a prime example of somewhere that has a strong sense of LGBTQ community consisting of so much more than just its glittering nightlife.

My proof is in the pudding that I like to call “gay by day.”  What is there for the LGBTQ community to do in the day?  In Brighton there is an abundance of choice.

Am I proud to be a Londoner?  Of course (although technically I’m from Surrey) but my post code has always been that of a London Borough.

I’ve been to Manchester Pride (even performed alongside Sam Fox on the main stage when it was host to Euro Pride 2003), I’ve enjoyed Birmingham Pride, celebrated Essex’s first Pride event, saw London’s transition from a ticketed pride event held on Clapham Common to today’s Trafalgar Square affair and even 2012’s World Pride day.  But still my favourite has always been Brighton Pride.

I have always felt extremely safe in Brighton more so than London and my home town.

So if you haven’t been down there this year or haven’t booked your Pride ticket do it now and Brighton up your life!

 

Trans area returns to Brighton Pride Festival curated by Alice Denny

Poet Alice Denny will curate the Pride Trans Community Area at the Brighton Pride Festival on Saturday, August 6.

Alice Denny
Alice Denny

An integral and important part of the Pride Community Village on Preston Park, The Pride Trans Community Area is a community led initiative created from a working party of local community members and representatives of local trans organisations.

Supported fully by the organisers of Brighton & Hove Pride, the Pride Trans Community Area is a celebratory and welcoming space, providing key information, points of reference and entertainment for and by Brighton & Hove’s trans community.

After it’s sparkling debut last year, the Pride Trans Community Area will be curated by local poet Alice Denny and will host a dazzling variety of live performances throughout the day.

A truly joyous addition to the Pride Festival in Preston Park in 2015, Brighton Pride organisers are delighted to welcome the Trans Pride tent back to the 2016 Carnival of Diversity, as Pride continues to place the trans community at the heart of the city’s proud celebrations.

To book tickets for the Brighton Pride Festival, click here:

 

Line dancing at Brighton Pride Pleasure Gardens

Line dancing is always a popular attraction at Brighton Pride.

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This year the line dance tent returns to Brighton Pride in the new city-centre Pride Pleasure Gardens area on Old Steine hosted by London’s Cactus Club.

The Cactus Club, a unique group of line dance enthusiasts will be offering lessons and a variety of dances throughout the afternoon on Sunday, August 7. Beginners as well as those with more experience are welcome.

Peter Flockhart from the Cactus Club, said: “We are really happy to be involved in the new area and hope it will be a great success.”

“Bring your boots and join in the fun!”

Line dancing kicks off from 1pm.


Event: Line Dancing

Where: Pride Pleasure Gardens, Old Steine, Brighton

When: Sunday, August 7

Time: From 1pm

Cost: Entry to the Pride Pleasure Gardens is free, but a Pride Village Party wristband is required.

To book tickets for Brighton Pride Festival, click here:

PREVIEW: Chichester Festival Theatre: Half a Sixpence

 

Chichester Festival Theatre and Cameron Mackintosh’s new production of HALF A SIXPENCE introduces two young actors, Charlie Stemp as Arthur Kipps and Devon-Elise Johnson as Ann Pornick.

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They will both appear alongside three times Olivier-nominated actor Ian Bartholomew as Chitterlow, three times Olivier-nominated actress Emma Williams as Helen Walsingham, and Vivien Parry as Mrs Walsingham.

Playing in the Festival Theatre from July 14, this new stage version of HALF A SIXPENCE, the musical adaptation of H.G. Wells’s disguised autobiographical novel Kipps: The Story of a Simple Soul, is a completely fresh adaptation which reunites book-writer Julian Fellowes (Oscar-winning screenwriter and creator of Downton Abbey) with George Stiles and Anthony Drewe, the musical team that co-creator Cameron Mackintosh first put together to create the hit stage adaptation of Mary Poppins with Disney.

The score is inspired by and features several of composer David Heneker’s exhilarating songs from the original production, including Flash Bang Wallop, Money To Burn and Half A Sixpence.

Charlie Stemp and Devon-Elise Johnson have both recently completed the international tour of Mamma Mia!. Charlie has also appeared in Wicked in the West End, while Devon-Elise’s London theatre credits include Taboo, and Susan Parks in Billy Elliot as a child performer.

Ian Bartholomew’s extensive West End credits include Mrs Henderson Presents, for which he received an Olivier Award nomination for Best Actor in a Musical; Into The Woods and Radio Times (for both of which he also received Olivier Award nominations), Shakespeare in Love, Tommy, Dead Funny and many roles for the National Theatre. The most recent of his many television appearances include Maigret, New Blood, DCI Banks and South Riding.

Emma Williams is currently playing Maureen in Mrs Henderson Presents, for which she received her third Olivier Award nomination. Her London theatre credits also include Jenny in Love Story (which premiered at Chichester) and Luisa in Zorro, both of which earned her Olivier Award nominations. She made her West End debut as Truly Scrumptious in the original cast of Chitty Chitty Bang Bang and went on to play leading roles in Bat Boy: The Musical and Desperately Seeking Susan. Emma’s screen credits include The Parole Officer with Steve Coogan, Bleak House with Gillian Anderson and, most recently, Silent Witness (both BBC).

Vivien Parry’s stage work includes The Girls (UK tour); A Midsummer Night’s Dream and The Shoemaker’s Holiday (RSC); Top Hat, Mamma Mia! and Fame in the West End.  Her film and television credits include Beauty and the Beast, Crash and Holby City.

Arthur Kipps, an orphan and over-worked draper’s assistant at the turn of the last century, unexpectedly inherits a fortune that propels him into high society.

His childhood companion, Ann Pornick, watches with dismay as Arthur is made over in a new image by the beautiful and classy Helen Walsingham. Both young women undoubtedly love Arthur – but which of them should he listen to? With the help of his friends, Arthur learns that if you want to have the chance of living the right life, you need to make the right choices.

HALF A SIXPENCE will be directed by Rachel Kavanaugh and designed by Paul Brown, with choreography by Andrew Wright and orchestrations by William David Brohn.

The musical supervisors will be Stephen Brooker and Graham Hurman, who will also conduct; with lighting by Paule Constable, sound by Mick Potter and video design by Luke Halls.

Due to a scheduling conflict, Chichester Festival Theatre agreed to release Bryan Dick, who was originally announced to play Kipps, from his commitment to Half a Sixpence. He will continue with his role in Hobson’s Choice in the West End.

Event: HALF A SIXPENCE

Where: Chichester Festival Theatre, Oaklands Park, Chichester

When: July 14 – September 3

Time: Evenings at 7.30pm matinees at 2.30pm

Cost: Tickets from £10:

To book online, click here:

Prologue: An allocation of tickets for 16 – 25 year olds priced at just £8.50 will be available for all performances of Half A Sixpence. Tickets go on sale on June 14; to sign up, click here:

To book online, click here:

Box Office: 01243 781312

 

 

 

REVIEW: Brighton Festival: Stella

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Neil Bartlett’s two-hander (technically a three-hander) is a complex meditation on gender and identity. It’s based on the life of Victorian cross-dresser Stella (born Ernest) Boulton who survived a scandalous court case and went on to have a successful career as a female impersonator.

Bartlett’s text for the piece is very dense with allusions, ruminations and symbolism on the theme of gender and performance. So much so that I think a very interesting biography gets somewhat lost. From the play I got a vague impression of a few drag shows and a bit of prostitution, but Bartlett’s interview in the Latest shows that Stella’s career was more, well, stellar. I certainly wish I’d read it before seeing the show as then knowing the main facts of the case I could just enjoy the brilliantly realised character of Stella herself.

The heroine of the piece is presented by two performers: Oscar Batterham is Stella at twenty-one, and Richard Cant is Stella living in straitened circumstances, dying of cancer and waiting for a taxi to take her to hospital – a journey from which she knows she will not return. Both actors share both a physicality and emotional core which makes the audience see them both as the same person. Batterham, the beautiful youth, is flirty but also fiercely angry at the many injustices she suffers at the hands of lovers, the police and large portions of society.

Cant gives one of the most remarkable performances I’ve ever seen. He gives the fullest possible representation of a living, breathing Victorian; without being showy or ‘acting’, everything he says, every gesture goes towards summoning up this vastly complex character. Dressed in male clothes – as Bartlett explains it was the only way Stella could get hospital treatment – Cant is by turns fragile, imperious, angry, dignified and perhaps a little mad. Or maybe it’s the opiates Stella is taking for the pain. There are parts of the evening that are truly heartbreaking. When he talks about a lover having possessed “the last hands ever to touch me” it’s presented so matter of factly that it becomes more devastating than any show of maudlin sentimentality.

The third character is referred to in the programme as The Attendant (David Carr). He is a shaven-headed black man wearing a modern suit who observes the two Stellas as they speak. Who, or what, he represents is beyond the powers of my intellect to fathom.

I’d recommend Stella to everyone. It’s intelligent, literate, it’s also funny – I hope I’ve not portrayed it as some kind of Gender Studies lecture as it certainly isn’t. But it really has to be seen for its spellbinding central performance.

Continues at Hoxton Hall from Jun 1 –Jun 18.

For interview with Neil Bartlett, click here.

For more details and tickets, click here.

Brighton foodies support Stronger in Europe Campaign

Directors of the Brighton and Hove Food and Drink Festival, and Ridgeview Wines join volunteers in spreading the word about the benefits that being a member of the EU brings to local businesses at the festival on Hove seafront.

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Nick Mosley and Andrew Kay joined local chefs from iconic Brighton eateries, such as Terra a Terre, Pizzaface, Boho Gelato and the Curry Leaf Café, to show their support for remaining in the EU.

Many of the stalls that make up the event on Hove lawns this weekend are small businesses which benefit from being part of the single market. Without the levelling effect of EU regulation, supporters of Britain Stronger in Europe claim of many of these businesses would not be able to compete against larger businesses and may even go bust.

Nick Mosley, the Director of the Brighton and Hove Food and Drink Festival, said: “From the vineyards and farms of Sussex to the restaurants and bars that serve us, it’s an absolute reality that we rely on the freedom of movement of people. The skills and professional dedication of our European partners are vital.

“Anything that impacts on our ability to freely employ from Europe would seriously affect our ability to deliver the quality agricultural, hospitality and tourism we enjoy. A Brexit would be tremendously to our businesses, our lifestyles and the service economy of the UK.”

Being in the EU might even be responsible for UK families eating healthier and more sustainable foods. The EU supports local farmers and promotes consistent, safe and sustainable food standards across Europe.

 

Peter Kyle MP
Peter Kyle MP

Peter Kyle, MP for Hove and Portslade, said: “In Brighton and Hove our food producers are primarily small businesses.  Leaving the EU will create masses of red tape for them when they trade in Europe.

“Big businesses can absorb additional regulation, red tape and extra costs and if they don’t like it they can often leave the country for one they feel is a better environment for them. Small businesses simply go bust.”

Catherine Bearder, MEP
Catherine Bearder, MEP

Catherine Bearder, MEP for the South East, added: “The Food and Drink Festival is a great time to show how the EU promotes and protects our traditions and culture.  Just as the EU recognises champagne, Parma ham and feta cheese it also protects us from cheap imitations of Cornish pasties, Cumberland sausages, Stilton cheese and, soon, Sussex wines.

“The status that the EU confers protects the identity of our traditional products and helps us sell more of them across the Europe.  The EU is also considering extending this protection to traditional non-food crafts items such as the Sussex trugs. Another example of how our membership of the EU has brought great benefits to UK businesses.”

 

 

 

PREVIEW: Something Rotten

From Glengarry to Black Antler – and now on to Elsinore and Something Rotten.

WEB.600Fresh from award-winning success with Glengarry Glen Ross and national press acclaim for Operation Black Antler, Robert Cohen continues his festival-season voyage into the heart of darkness with a one-man show about Hamlet’s murderous uncle.

A punishing schedule has found the Brighton-based actor preparing simultaneously for three shows in the run-up to the Festival and Fringe: as part of the ensemble for the Hydrocracker/Blast Theory show Operation Black Antler, as Aaronow in David Mamet’s Glengarry Glen Ross, and as King Claudius of Denmark in his own one-man show Something Rotten.

The hard work is now paying off. Operation Black Antler, an immersive exploration of police surveillance and right-wing politics, was hailed as “serious and challenging” by the Guardian’s Michael Billington, while the Rialto Theatre’s production of Glengarry Glen Ross, David Mamet’s darkly comic dissection of the American dream, received a highly-coveted Argus Angel award.

Robert Cohen fully captures the edgy neuroses of a potential loser…..the Argus

Now, while continuing his work in Black Antler, Cohen is preparing to launch a week of shows at Sweet Waterfront, playing King Claudius of Denmark, Hamlet’s homicidal uncle, in Something Rotten.

Written and performed by Cohen, with direction by Jenny Rowe, the show presents the events of the world’s most famous play from the viewpoint of the uncle-turned-stepfather whose regicidal, fratricidal activities awaken vengeful impulses in his nephew-turned-stepson, Prince Hamlet.

Acclaimed as “masterful” by the Northern Echo, the show has also been hailed by the Argus as “both entertaining and intellectually satisfying”, while remotegoat.com spoke of Cohen’s “enviable ability to hold an audience’s attention for a sustained period and have them hanging on his every word”.


Event: Something Rotten

Where: Jurys Inn Waterfront Hotel, King’s Rd, Brighton

When: Monday May 30 to Sunday, May 5, 2016

Time: 7.50pm

Cost: Tickets £8 (concs £6.50)

To book tickets online, click here:

 

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