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PREVIEW: Mikado and HMS Pinafore in Portsmouth

Southsea to come alive to the sounds of Gilbert & Sullivan

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The National Gilbert & Sullivan Opera Company sails into Portsmouth with two sparkling new productions of the much-loved HMS Pinafore and The Mikado at the beginning of a nine week tour around the UK in September.

From Harrogate to Hastings, the National Gilbert & Sullivan Opera Company ensure that audiences leave the theatre with a smile on their face and skip in their step, such is the enchantment of these magical timeless masterpieces.

The productions are directed by John Savournin, recently described as one of the “finest G&S actor/directors of the present day” (Daily Express) and he has assembled an outstanding cast of G&S specialists including the hilarious ‘patter man’ Richard Gauntlett working alongside a cast of well-know G&S personalities including Bruce Graham, Oliver White, and Sylvia Clarke.

The thirty five strong Company will be supported throughout the tour by the critically acclaimed National Festival Orchestra and the company’s resident conductor, David Steadman.

The National Gilbert & Sullivan Company is the UK’s leading professional company dedicated to performing the works of Gilbert & Sullivan.  The Company started life in 1994 as the resident opera company at the annual International Gilbert & Sullivan Festival in Buxton Opera House and went on tour for the first time in 2014 to high acclaim and outstanding press reviews.

This is a wonderful opportunity to see two outstanding productions performed by the very best but they will only be in Southsea for two days.  Make sure you catch them!


Event: National Gilbert & Sullivan Opera Company: The Mikado and HMS Pinafore

Where:  Kings Theatre, Southsea

When: Friday September 4 (Mikado) and Saturday September 5 (HMS Pinafore)

Time: Friday at 7.30pm: Saturday at 2.00pm and 7.30pm

To book tickets online, click here:

Seafront arches win regeneration award

The Sussex Heritage Trust Award has been given for the conservation work to twenty six Victorian arches on Brighton seafront during 2012 to 2014 during the last Green administation.

Before
Before

The arches had been in a dilapidated state for years with serious structural issues threatening the safety of the road above.

The previous Green administration won £7million of government funding to restore the arches and the substructure for the road.

After
After

In March 2015 a further £9million was won through the Coast to Capital Local Economic Partnership to renovate the additional arches at the bottom of West St, including reconstruction of Shelter Hall.

Cllr Pete West
Cllr Pete West

Cllr. Pete West, the Green’s Environment spokesperson, said: “The renovation of these arches was one of many projects that we initiated and won funding for whilst in administration to restore and improve our seafront and the city. While celebrating our Victorian heritage, the arches also house new artist studios which bring a vibrant atmosphere to the area, while, crucially, holding up the main seafront road for the foreseeable future.  I’m very proud of our success in attracting investment for this and other sections of the seafront which will enable further improvements over the next few years. With the i-360 tower rising up from the beach, it’s exciting to see our vision for seafront renewal steadily unfolding.”

 

Fred Astaire’s tap shoes make Eastbourne appearance

Top Hat Star ‘Puttin’ On the Ritz in Eastbourne with Fred Astaire’s Tap Shoes

Debonair Alan Burkitt, star of the West End hit musical Top Hat that opened in Eastbourne last night, tries on a pair of tap shoes said to belong to tap dancing legend Fred Astaire.

The shoes belong to Simon Brown from St Leonards and were bequeathed to him by his mother, Elizabeth Webster, a fashion designer in the 50s who attended many showbiz parties at the time.

Fred Astaire was said to have given many of his shoes as keepsakes to friends. Mr Brown says the shoes are signed with Fred in three places, are in size 8½, which is Fred Astaire’s shoe size, and is made by Annello and Davide, a company renowned for manufacturing theatrical footwear and ballet shoes.

Alan, said the shoes fitted perfectly, and gave them a twirl.

Catch Alan Burkitt in Top Hat which plays the Congress Theatre until Saturday 25 July, with nightly performances at 7.30pm and three 2.30pm matinees on Wednesday, Thursday and Saturday. Tickets £30 – £44.50. Book online ateastbournetheatres.co.uk or call box office on 01323 412000. For behind-the-scenes access and news of the latest shows to go on-sale find EBTheatres on Facebook and Twitter. ENDS

 

Report highlights benefits of Lunch Clubs to communities

Lunch Positive, the HIV lunch club, recently took part as a case study in the Brighton & Hove Food Partnership city-wide Eating Together report, exploring the role of lunch clubs and shared meals in Brighton & Hove.

Lunch Positive

For the first time, this report brings to light the sheer scale of community eating – almost half a million shared meals take place each year at lunch clubs and other community groups in the city.

The research highlights the largely unrecognised role that these groups are playing in addressing food poverty, in reducing social isolation, in contributing to good nutrition and health, in offering advice, acting as a gateway to other services, and involving people in volunteering.

Also, the recently published Annual Report of the Director of Public Health of Brighton & Hove gives an independent assessment of the health of the people in the city. This year’s ‘LOOK Inequality’ report explores health inequality in Brighton & Hove, and incorporates a focus on food poverty and the role of community projects to address this.

Gary Pargeter
Gary Pargeter

Gary Pargeter, Volunteer Project Manager at Lunch Positive, said: We were delighted to take part as a case study for the Eating Together  report, where researchers talked to our volunteers and members. There is no doubt that food poverty still exists and is likely to increase in the light of welfare reforms, low wage and the very high cost of living in the locality.

“Lunch Positive is a totally unique service within our community, and we’re incredibly pleased to see that these reports also reflect the much wider benefits of lunch cubs as a result of the community space they provide.

“For us it’s all about community –  making people feel welcome, sharing meals, spending time together, supporting each other, involving and supporting other organisations, and of course volunteering.

“For people who haven’t yet come to Lunch Positive, or are unsure what we do, it’s a community space that is all about the people that are here. It’s informal and welcoming – a place to get something healthy and affordable to eat, or just drop in for a coffee. A safe place for people with HIV to spend time with peers and just be yourself. We want the lunch club to be your space, to help however it can.”

For information about Lunch Positive, click here: 

To read the Eating Together report, click here:

To read the LOOK Inequality report, click here:

The Propolis – Synth Pop Lives!

The era of synth pop duos dominating the charts may have passed, but the enduring influence of the 80s lives on through brothers Tom and Matthew Sanderson whose new act The Propolis first blossomed when they began connecting with some of Brighton’s more eclectic LGBTQI friendly electronic music community last year.

The Propolis
The Propolis

We caught up with the brothers at the spiritual home of [beep] (Brighton Experimental Electronic Party) who hold all genres, anything goes gigs the first Saturday of every month at The Verdict Jazz bar & cafe, 159 Edward Street, Brighton.

“We’re originally from Sheffield,” Matt says, “so we have a synth pop heritage. Human League, ABC, et cetera.” He’s always been passionate about electronic music, especially synth pop.

Tom used to work up the road from Phil Oakey and Joanne Catherall. “She used to come into the library where I worked but I didn’t tell her that I knew who she was!” The brother’s mum was a piano teacher and gave Tom lessons. “I used to write crap songs about going to the park, things like that, when she was out of the house. Our dad noted them down because he does music himself.” Then at 14 he joined a melodic rock band for a while.

The first song the brothers wrote together was in 2010 and a few years later they both moved to Brighton and began getting tracks together. The Propolis only became serious after they’d already started sending each other sounds, vocals, lyrics back and forth.

“We found out about [beep] through Facebook via someone we knew” says Matt.

They discovered an inclusive and supportive community of friendly electronic music geeks keen to share their collective knowledge. “It’s a sort of incubator with technical & emotional support to nurture the creative musical journey of new performers. It sounded quite good, although we didn’t really know what it was. They’re all electronic musicians, DJs and like-minded people. So we thought we’d give it a go despite not feeling confident in what we were doing. We didn’t feel legitimate to sit there talking about electronic music and hold our own, but now we feel maybe we’re a bit more legit now, but not quite! Our first ever gig was playing at [beep]stock, an all day electronic music festival in Brighton last summer. We only had 3 finished songs, not much to perform. So a few days before we threw loads of stuff together and wrote some lyrics to one of them.” Matt laughs. “We did every song we had at that point, but we’ve tripled our catalogue since then!”

So what are the meanings behind the brothers songs? “In general our songs are about anxieties, relationships, dark themes. We’re slightly into politics.”  Tom adds that “for us, they are cathartic. Hopefully other people can enjoy them too. When we wrote Comfort in the Kiss, I knew a few people who were depressed and suicidal. I was talking to a friend about their friend being in a bad place and I was thinking about people getting help and not suffering in silence. The ‘kiss’ is a metaphor for accepting help in the form of antidepressants or counselling or whatever; being supported in that way. It can also be taken as a love song.”

“Yeah, a few of our songs have layered meanings in that way. They’re definitely quite emotive,” says Matt. “I hope so!” says Tom.

The first time Matt had written lyrics was for The Secret. “I was jogging and came up with this idea about not quite giving yourself up completely and keeping part of yourself away from people. If you show a bit too much of yourself people don’t take too kindly to it and then you become shy about it. Then we developed it into more of a relationship scenario, like most of our songs.”

“You sent me it as a demo when it was just a verse, then I modified the melody, wrote the chorus and chords. The middle 8 came 2-3 months later” says Tom. “Yeah, that one really evolved” says Matt. “It had lots of effort put into it, and our sounds evolved with it now that we’re learning new techniques and ideas through [beep].” The brothers reckon their newer songs feel a little bit more impressive than some of their previous sounds. “The scene has really opened up our sound with bigger sounds.”

And what are the future ambitions for The Propolis? “Well, we’re still learning our trade,” says Matt, “sort of exploring in terms of other genres and our sound. It’s really nice being able to perform, having people appreciate our art, doing things like [beep] where people go nuts when we perform!” They both agree “it’s a good feeling getting away from the daily doldrums!”

Propolis

Propolis
http://www.facebook.com/thepropolisband
http://soundcloud.com/the-propolis
http://open.spotify.com/artist/4LmM5aCKG2pE61J1WMgpmZ

[beep] Brighton Experimental Electronic Party
http://meetup.com/brighton-electronic
https://www.facebook.com/brighton.beep
https://soundcloud.com/groups/brightonbeep
https://hearthis.at/beepbrighton/set/beep-verdict-06-06-2015/
https://hearthis.at/beepbrighton/set/beep-verdict-02-05-2015/

[beep]stock festival 2014
https://www.facebook.com/events/1488982187999255/
https://www.mixcloud.com/RadioZero/beepstock-festival-special-on-radioreverb-july-2014/

Verdict
http://www.verdictjazz.co.uk/
http://verdictcafe.com/
https://www.facebook.com/TheVerdictCafe

Mind Out
http://www.mindout.org.uk/

LGBT people still face widespread inequality in Scotland

 

Major new report published by the Equality Network, Scotland’s national lesbian, gay, bisexual, transgender and intersex (LGBTI) equality charity, reveals LGBT people still face widespread inequality in Scotland.

Equality Network

The Scottish LGBT Equality Report, a state of the nation report on LGBT people’s experiences of inequality in Scotland, is the most comprehensive study of its kind to date, based on a survey of 1052 respondents from across every part of the country.

It reveals that despite recent advances in the law and social attitudes, such as the legalisation of same-sex marriage:

♦ 89% of LGBT people believe Scotland still has a problem with inequality

♦ 94% say that more needs to be done to tackle the day-to-day prejudice and discrimination that LGBT people continue to face.

♦ 97% of LGBT people in Scotland have personally faced prejudice or discrimination, including 79% within the last year and 49% within the last month alone.

Incidents reported by LGBT people ranged from homophobic, biphobic and transphobic comments and attitudes (82%), to verbal abuse (68%), physical attack (16%) sexual assault (7%), crimes against property (12%), and discriminatory treatment when accessing services (25%) and in employment (24%).

The report finds that as a result, a majority of LGBT people in Scotland still ‘never’ or only ‘sometimes’ feel able to be open about their sexual orientation or gender identity with their own family (52%), at work (60%) or when accessing services (71%), for fear of the prejudice they might face.

43% of LGBT people in Scotland have moved, or considered moving, to live in a different area or out of the country altogether because of the discrimination that they have faced, and in order to live somewhere more accepting of LGBT people.

The report also finds that the experiences of LGBT people vary significantly across Scotland, with those living in rural parts of the country reporting a significantly worse experience than those living in urban areas.

A quarter (24%) of LGBT people in rural parts of Scotland say that their local area is a ‘bad’ or ‘very bad’ place for LGBT people to live, compared to half that (12%) in urban areas.

Almost half (47%) of LGBT people in rural areas say that they feel isolated where they live, compared to a quarter (23%) of those in urban areas.

Over half (55%) in rural areas say that services in their area do not meet the specific needs of LGBT people, compared to a third (30%) of those living in urban parts of Scotland.

The Equality Network says that the report sends a clear message about the huge scale of change still needed before LGBT people will have full equality in Scotland. It says the recommendations in the report are a blueprint for the progress needed over the next decade, including further work to remove inequality in the law, to change attitudes, to tackle prejudice and hate crime, and to ensure that public services and employers are meeting the needs of LGBT people.

Among the key recommendations is a call for the Scottish Government to publish an LGBT equality and human rights strategy and action plan, against which progress can be measured.

Tom French
Tom French

Tom French, Policy and Public Affairs Coordinator for the Equality Network, said: “The Scottish LGBT Equality report reveals the stark reality of the prejudice, discrimination and other forms of disadvantage that LGBT people continue to face in Scotland. It is clear that while we have made welcome progress in recent years there is still much more to do before LGBT people will experience real equality in their day-to-day lives. The scale of the challenge is considerable and with the next Scottish Parliament election rapidly approaching we will be looking to the Scottish Government, and all the political parties, to set out clear plans for how they will tackle inequality and make Scotland a fairer and more equal place for LGBT people to live.”

The Scottish LGBT Equality Report includes over 250 personal accounts of incidents of prejudice, discrimination, and other forms of disadvantage experienced by LGBT people in Scotland. Many of the accounts echo the experiences outlined by the following LGBT people:

Cathleen Lauder, a 38 year old transgender woman from Edinburgh, said: “People think that because we’ve got same-sex marriage in Scotland LGBT people now have equality but nothing could further from the truth. Being transgender in Scotland is still very difficult, attitudes can at times be back in the dark ages even in Edinburgh. I can’t count the number of times that I’ve had abuse hurled at me when I walk down the street just for daring to be who I am. People shout at you, call you names, give you dirty looks, make crude gestures and try to humiliate you. Sometimes you worry you might get attacked. I have been touched up while travelling on a bus, and one guy tried to bully me off the street and into a pub so he and his mates could laugh at me. I got away, crossed the street and didn’t dare look back. I grew up on a council estate so I know when to keep my head down, when to stand up for myself, and when to get out of there as fast as you can. I like to think I’m a confident person but sometimes it’s terrifying. Even on those days when I feel stronger, a part of me always goes into alert mode, my heart is always in my throat for at least an instant when something like that happens. It’s not enough for politicians to just sit back and hope attitudes will have changed in a few decades. I have to live my life now, and being constantly reminded by other people that they do not consider you equal is one of the worst feelings there is. Something needs to change.”

Felix Rayna, a 24 year old gay man from the north east of Scotland who recently moved to London to escape prejudice, said: “I came out at the age of 15, living in a small rural town on the north east coast. It wasn’t easy for me to hide who I was and I was verbally assaulted on a daily basis by other students in my high school and even people in the street. Teachers would tell me I was “bringing it on myself” because of how I dressed, because of who I was. At 17 I was physically assaulted by three men who punched me in the head. I didn’t feel I had anyone to go to and I didn’t think there was any point reporting it to the police. These memories and the narrow-mindedness of people in my town left me hating the place. I stopped going outside and would only get jobs that were at least an hour away so people didn’t recognise me. This week, at age 24, I moved to London and can honestly say I will never return to the place I once called home. Not after 9 years of hiding away from the world and being scared to walk down my own street.”

Susannah McWhirter, a 17 year old lesbian student from Kilmarnock who faced homophobic bullying at school, said: “In my second year of secondary school I was bullied for being gay and although some teachers wanted to help they had no experience in how to deal with it. The whole situation was badly handled. I was called names such as “lesbo” and “dyke”. I received abusive comments and death threats on social media. Other pupils harassed me and questioned my sexuality. I even had to drop PE altogether because other students felt uncomfortable with me being in the same changing room. I felt alone. Some days I couldn’t face going to school. I started self-harming and had suicidal thoughts. I know my experience is not unusual. Most LGBT people get bullied at school and some never recover. I feel very strongly that there needs to be more support for LGBT people in school, and more needs to be done to stop homophobic bullying so no one has to go through what I went through.”

Rose Marshall, a 46 year old transgender woman who lives in Glasgow and works as a volunteer coordinator, said: “As a trans woman in Scotland you get used to the occasional stare, comment or laughter from people in the street. I usually have the self-confidence to just shrug it off and get on with living my life, but sometimes it’s not that easy. There have been times when I’ve felt intimidated and scared. Recently there have been several occasions where groups of young men have targeted me and tried to humiliate me, mocking me on the train or following me and shouting abuse at me in the streets around my home. I’ve reported some of these to the Police, but even the process of reporting it is stressful and traumatising. Having to go over what happened again and again adds to the feelings of shame and hurt, and besides nothing much seems to happen as a result. I still have to see the same groups of people when I leave the home and on the way back from work, and I feel anxious because it could happen again at any time. LGBT people just shouldn’t have to put up with that, you shouldn’t feel scared you might be attacked or humiliated in your own street just because of who you are.”

Ryan Breakwell, a 22 year old gay man from Hamilton who faced homophobic abuse at school and now works as a support assistant for adults with learning disabilities, said: “The Equality Network report doesn’t surprise me at all. As a gay man living in Lanarkshire homophobic abuse is something you have to live with on a weekly basis. My school years were particularly bad – I used to get shouted at, called ‘gay’ in corridors, at break times and even in classes. Staff members knew it was happening but they didn’t know how to deal with it and if they did say something it usually just made things worse. It took me to a really dark place. I felt alone, scared and I didn’t dare come out. In the end I decided to move away, and while I’m out now and more confident about these things, it still hurts when I get abuse for my sexuality. People really need educating in Scotland, particularly in schools. Many people grew up at a time when it was illegal to be gay and even now many young people still think it’s wrong.”

Stuart Russell, a 23 year old gay man from Fife who faced homophobic bullying at school and now works as an artist, said: “I was bullied throughout my time at high school for being gay. I was outed before I even had time to figure myself out. The bullying was all day, every day. At lunch times I would have younger kids throw food at me and shout abusive comments at me. People would occasionally follow me home shouting abuse and try to beat me up. The police were involved a few times. I had very few friends so high school was lonely.  I was made to be an outsider and felt so insecure about myself. When I went to teachers about the abuse I was suffering, nothing was done. I was sent to a therapist and nothing happened to the bullies. By sending me to therapy, my school made me feel even more insecure, as if I was in the wrong. They pawned me off on someone else and swept it under the rug, something that happens a lot in Scottish schools. Teachers need training, they are not trained to support LGBT students or deal with homophobic bullying. I made numerous attempts on my life as a teenager because of the bullying. Even today I still don’t find living in Scotland a very positive experience as a gay man. I am still made to feel like an outsider and I still spend the vast majority of my time alone, escaping to London when I can. I think gay equality still has a long way to go in Scotland, especially in small towns, closed mindedness is still a big issue. I think many people believe that because gay marriage is a thing now that’s it, that’s equality achieved. That’s not the case. There is a lot more to it. LGBT bullying in education is a major issue and not enough is being done about it.”

The next Scottish Parliament election will take place in May 2016. The Equality Network says it will be calling on all political parties to set out firm manifesto commitments on LGBT equality.

To download The Scottish LGBT Equality Report click here:

 

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