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Non-binary identities and gender identity clinics

I have yet to meet a non-binary person who has had a positive experience with a gender identity clinic (GIC).

Lola Olson
Lola Olson

IN case you don’t know, a non-binary person is someone who doesn’t identify as male or female. In my case, I am agender. Meaning I don’t identify as either.

Despite the GIC’s poor track record in the non-binary community, I wanted to believe that they would treat me. I was also running out of options. After two years of being fussed around by GPs or being flat-out denied an option to get corrective surgery, I felt like the GIC was my last hope.
After a change of GPs, I secured a referral to the GIC. That was back in June 2013.

And then I waited………..

By November 2013, I received a letter asking me if I was really sure I wanted to attend a GIC and warning me not to miss appointments. I enthusiastically ticked “Yes!”.

And then I waited………..

By January 2014, I was getting antsy. Even though it stays cold in England well after the winter months, the approach of summer fills me with dread. Nothing makes me more aware of my chest than feeling sweaty. And even though binders bring my mind comfort, they cut into my sides painfully and don’t breathe – so sweating is likely.

I called and asked. They said they weren’t taking any new appointments for people referred after May 2014 at all. I tried not to cry. I tried not to panic or fret. And instead I tried to cope, hoping that one day I’d be seen and I could start looking forward to a referral to a surgeon.

And then I waited. And waited………………

Summer came and went and one Saturday in October 2014, in the middle of Camden High Street, I received a call asking if I could come in the following Monday. Being unable to notify my work, I regretfully said no, but then was able to schedule an appointment in the beginning of September 2014. This was much better than was previously promised. I smiled and hoped.

And then I waited…………….

I attended my first appointment in September 2014. The psychiatrist seemed more worried about my hormones than I was. Being born with a condition where I don’t make sex hormones, I have been on hormone replacement therapy since I was 12. Recently I was put on a low dose of testosterone, just so I could produce body hair.

“You have to tell them you don’t want a beard,” the psychiatrist said to me gravely. She was more bothered about beards than I was. I couldn’t grow armpit hair and I knew well enough from trans friends that some trans men on even very high doses of testosterone don’t get close to growing beards until they’d been on it for a while.

I thought it strange that someone working in a GIC would seem so unfamiliar with what hormones actually can do. But still I had hope.

After my first appointment, I waited……………

I was scheduled for another appointment in late February 2015. I got excited. I thought I might get some real answers about how long it would take for me to get referred for surgery.

When the appointment came, I told my story. My lack of financial support due to having no family. My incredible need for chest surgery. My previous unsuccessful attempts at fundraising. All of it.

I, if you’ll pardon the pun, got it all off my chest.

The psychiatrist said he had to meet with the team and he would be in touch with an answer.

And then I waited……

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Recently, just before Transgender Day of Visibility, I received a letter discharging me from the Gender Identity Clinic, denying me surgery. The letter, in addition to spelling my name wrong, getting my chest size wrong, and referring to me with the wrong pronoun throughout said:
“We would not countenance endorsement of an irreversible surgical procedure unless the individual had been able to demonstrably consolidate a social transition including name change to the preferred gender role.”

I can’t argue my case. I actually would pursue a name change, but only when it was more feasible for me to. The process currently and in the past two years seeking visas has not be simple or ideal for me to do. It would have created more hassle for me as an immigrant to change my name, and destroy my credit history.

I don’t recall ever being asked if I was planning to change my name.

And in terms of “consolidate a social transition”… what does that mean for someone who is agender? I’m not capable due to the current position of agender people as invisible of socially transitioning. I am not able to remove my gender marker from any legal documents or use a gender neutral title.

All of my close friends know my identity. I am not out at work – but I’m also not necessarily out or advertising of my bisexuality or disability… that doesn’t mean I am not serious about those identities either.

I don’t recall being asked about this at either of my assessments.

My only steps now are to complain or try to get re-referred. Both of which will take time. And as time passes and passes, my life is stagnating. You can’t know or understand the feeling of your body not being right unless you’ve had that feeling. It’s like an aggressive skin tag right in my line of sight that won’t go away.

Sometimes I secretly hope that I have a form of cancer that will give them no choice but to remove my chest. And then I’m disgusted with myself for thinking that. Surely this is not the way people who don’t need surgery feel about their bodies?

While the world passes by me and I wonder how much longer I will have to deal with this cloud over my head, I am doing best to pursue all options. But in the meantime, I want people to know what it takes. What transgender people face when trying to get medical help. What hoops we have to jump through and what retired ridiculous standards of gender we have to bow to. And how easy it is for everything we’ve worked for to slip away.

And now..…. I wait………

Lola is currently fundraising for their corrective chest surgery on YouCaring. If you would like to donate, click here:

Twitter: @LolaOlson

London fundraiser for Nepal Earthquake Appeal

Simon Tarrant and Catrin Finch host fundraiser at London Canal Museum for WaterAid’s Nepal Earthquake Appeal.

Tides Mono Print by Simon Tarrant: Oil on glass light box
Tides Mono Print by Simon Tarrant: Oil on glass light box

ARTIST Simon Tarrant and world-renowned harpist Catrin Finch are to host an exhibition and concert for WaterAid’s Nepal Earthquake Appeal at London Canal Museum on Saturday, May 16 from 7pm.

Like Catrin, Simon, who will also be exhibiting at the museum from May 5–31, is a passionate supporter of WaterAid and was recently commissioned to create the artwork for Catrin’s new album Tides, which includes a track gifted by Catrin to raise money for WaterAid.

On the night, 75% of the profits will be donated to WaterAid and Simon will also be supporting the charity with a prize draw of his artwork Pink Sky to raise funds for WaterAid’s Nepal Earthquake Appeal.

Simon said: “The recent earthquake in Nepal is clearly devastating for a nation already struggling to provide adequate sanitation to half its population. I am actively fundraising for WaterAid’s Nepal Earthquake Appeal to provide emergency water supplies, hygiene kits, water purification tablets and emergency trenches for sanitation.”

Event: Fundraiser for WaterAid’s Nepal Earthquake Appeal

Where: London Canal Museum, 12-13 New Wharf Road, London N1 9RT

When: Saturday, May 16 from 7pm.

Tickets: £15 (£12.50 concessions).

To book online, click here:

PREVIEW: Brighton Fringe: The final chase

You’ll be left shaken, stirred and thoroughly entertained by award-winning Australian cabaret crooner Tomás Ford’s noir-as-hell spy thriller.

Tomas FordJOIN a troubled assassin as he chases his arch-nemesis to a pulsing electronic soundtrack and riveting video projections.

Tomas’ mix of warm synth sounds, stylish video projections, suave cabaret crooning and DIY, party starting madness makes for the kind of night you and your friends won’t easily forget.

It’s definately cabaret – just nothing like what your mum might think of as cabaret.

His shows range from the late night weirdness of Electric Cabaret, through guilty pleasure hyperdisco of Crap Music Rave Party. Tomás bring new characters to each show, veering from the rugged assassin required for his thriller, The Final Chase, through to the punk rock idiocy of his club shows.

His performance style has come together over a decade of testing bad ideas against audiences in Australia’s roughest music pubs and warehouse parties.

In 2013 Tomás threw himself at the world of Fringe Festival and found he stuck, with a trail of sold out shows, all manner of awards and glowing reviews following.

His shows are all kinds of weird, but he’s kind of weird guy.

To find out how weird, click here: 


Event: The Final Chase by Tomás Ford

Where: The Marlborough Theatre, 4 Princes Street, Brighton

When: May 22-24

Time: 7.30pm

Tickets: £6-£9

To book tickets online, click here:

 

REVIEW: Fringe: You can do better

puppy fact poster gscebne

You can do better

Theatre Box

Warren

Brighton Fringe

Brighton based duo Puppy Fat bring us a collection of their characters all suffering from the triumph of self-delusion with some dark/ish insights into their own failures, so far so ‘League of Gentleman’ and although there were some well fleshed out characters; the ex-child star, the dumb American tourist, the aggressive gym instructor, the failed employment motivators I didn’t feel I saw anything original. The strongest parts of the shows worked well, a running gag about stalking, a ‘Diana’ wig and some relentlessly sweet reality TV contestants being goaded on by the wretched producer to behave badley.

They are both engaging young performers with sweet smiles and work well together although the tension and strains were alluded to rather than explicitly teased out, which was a missed opportunity.

When the writing and acting jelled they were funny and I enjoyed some parts of the show, but mostly I wondered where the laughter was supposed to go, or groaned at some predictable set ups. I found it odd that there was no material on social media, of any sort other than a few throw-a-ways about being out of touch, surely these kids spend their lives on-line and also though it odd that there was no LGBT material in the show either, both performers and all characters appearing to be firmly straight, more self-delusion? Do these kids really come from Brighton?

You can check them out on the Face Book here

puppyfat1

THE Theatre Box is a great venue, its three shipping containers welded together with a rack of seats stuffed inside, it can get a bit hot and stuffy after 40 minutes but the acoustics are good, the lights work well and there’s enough space for some decent comedy to take place.

Over all these are a sweet pair of young comedians, well-polished but without the depth of material they thought they were in possession of, there were hints of a crepuscular edge to their humour but the sweetness always edged its way back in, but perhaps this was the point. I got the feeling they were looking out for a BBC Three Series.  They couldn’t have named the show better as I think they certainly could have done better, I just suspect the irony – oddly enough considering their constant subject matter- wasn’t apparent.

Disappointing, a new Brighton based sketch group is always worth supporting, although it has to be mentioned that there was a large part of the audience who persistently laughed throughout the entire show, but I just assumed they were mates as they laughed as much for a nose wrinkle as they did for a half decent line.

For more information or to book tickets, click here:

REVIEW: Fringe: Point and Shoot

point and shoot 12

Point and Shoot: A New Musical

The Main House

Warren

Brighton Fringe

This was a sophisticated and highly planned bit of musical mischief making and the highly planned and ruthlessly choreographed changing of instruments and tune was occasionally buried under some of the action unfolding on stage. I assumed this was intentional. With funny acting and high octane singing this troupe connected with the damp audience immediately and whisked us along on this deeply daft journey into the dark heart of movie making.

The plot is stuffed full of as many cliches, denouements and double, triple twists as the cast could (un)feasibly squeeze, shoehorn and crowbar into the plot, which leaves the last 20 minutes of the musical one frantic and frenetic constantly increasing staccato pace of unfolding dizzyingly confusing action, jumping around like a bus full of Red-legged Pademelons on poppers; which is precisely what the cast intended.

The premise, of a near Po-Mo future world where culture has become infused with integrity and art is educational, leaving us in a vaguely Norman Rockwell world of irritatingly well-adjusted smug pseudo-intellectual people who have supressed huge blockbuster film makers works fairly well, although once the plot got moving it got more and more superfluous to the action. The plot centres around some renegade film makers who want to bring a 1960’s ‘I love Lucy’ type sitcom to the big blockbuster screen. Cultural Verboten in this world.

Check out the show’s website here:

point and shoot 2The cast are seriously well drilled, I suspect that’s one nazi of a director or they came all the way over from Perth, Australia (yes, that’s how they sweetly introduce themselves) on a slow boat and practiced and rehearsed for each long nautical mile, never being allowed to sleep until they got the scene right -or – they are just brilliant, of course, but they are from Perth…. So let’s assume they have been drilled to death.  There was some seriously impressive musical, thematic and instrument swapping which begins quite subtly and then builds up into an all you can eat in your face blurt of musical talent. It’s difficult to pull that kind of endless physical joking off without distracting from the music, but it’s the uber in-joke with a small cast playing all the characters and all the instruments too, and a meta-uber-in-joke is just what the fringe ordered this early on.

There are some back up projections of the film and faked up footage of the 1960’s show which are fun and spot on, although could have done with being MUCH bigger for the back of the audience to properly enjoy.

See the trailer here:

Great fun, planned, executed and rehearsed to within a wallaby’s whisker of its life, the rhymes tight, clipped and shaved closer than Pauline Pantsdowns moustache and not a foot wrong this was a phenomenally stylish and fast paced opening for this new musical and I was impressed. These four troopers playing 52 characters and 16 instruments enunciated faster than an epileptic emu and were dirtier than a dingo’s den. There is some deliciously tight writing in this musical, perhaps a bit too much crammed in, and I strained to catch some of the machine-gunned lyrics on occasion.  They were let badly down by the venue though, with over loud music from an (empty) bar clashing with the opening ten minutes and also having to compete with torrential rain drumming on the roof, but once the cacophony from the bar had been dealt with things improved a lot.

The test of a new musical is whether you can sing (or even remember) any songs from it next day, I heard the boyfriend singing ‘Smart Movies for Smart people’ in the shower this morning, so that’s a good sign for them.

Catch this perky Perth performing troupe while you can, they are at the Main House at the Warren with Point and Shoot on May 14, 16 and 31.

For more information or to book tickets, click here:

Open your garden and support the Martlets Hospice

The Martlets Hospice are appealing for green fingered supporters to show off their gardens this summer, and help raise vital funds for their work.

Martlets Open Gardens

THE Hove based charity is looking for people to join their 2015 Open Gardens programme. Whether your garden is large or small, traditional or modern, they want to hear from you.

Martlets Events Manager, Antonia Shepherd, said: “Opening your garden to the public is a lovely way to help raise money for your local hospice. The gardens are always popular, as who doesn’t enjoy looking around a beautiful garden, and gathering ideas for their own green spaces at home.

“Gardeners can choose their own date, for when they feel their garden will be at its best, and then the Martlets Team will help with the organisation. We can provide everything from posters and signs, to collection buckets for donations, even cups and saucers for refreshments!”

Several gardeners in and around the city have already offered their gardens to the hospice, including 46 Ainsworth Avenue, BN2 7BG, who opened last Sunday, May 3.

Admission is by donation.

Other gardens opening for the Martlets this year are:

• 57 Elm Drive, Hove on Sunday, May 17

• 91 The Ridgway, Woodingdean on Sunday, July 5

• Challoners, Rottingdean on Sunday, July 19 and

• 40 Clarendon Villas, Hove on Saturday, July 25

Further more information, click here:

If you are interested in opening your garden this summer, email:

Or call the Martlets fundraising office on 01273 718782.

Martlets Open Gardens

Thank you from THT

Terrence Higgins Trust (THT), Brighton would like to say a big thank you to the 15 volunteers who came and helped them clean up the Dukes Mound/Bushes area on Saturday, April 25.

THT Dukes Mound clean up

Ross Boseley, Community Engagement & Outreach at THT, said: “The area was in need of a thorough clean and we removed over 30 bags of rubbish, We hope this will encourage people to use the bins or take rubbish away with them.”

“I would like to thank City Clean who provided the tools for day and all the volunteers for their hard work.”

 

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