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THEATRE REVIEW: Therapy

image1tTherapy

Tara Harley

Marlborough Theatre 29th March 2015

The all new La La Theatre Company gave an excellent performance of this new comedy drama, called Therapy, set in the eccentric world of New Age retreats.

The plot is pretty straight forward, four characters arrive at a therapy retreat with the kooky therapist and peculiar challenging doctor, as they unwind secrets are revealed with unexpected consequences. The actors are all fine with one of two of them shining out, Cyril Cottrell as Dr Morter in particular was delightfully odd managing his sharp twisting retorts with an ever changing stack of emphasis, very funny. They all worked very hard to ensure the play rolled on and blended well together to ensure the laughs kept coming. There were some fine physical jokes and  the play really took off when the clowning was allowed to bloom, the Marlborough is an intimate space and with five folk being strange and manic on stage it can be quite an electrically funny. One or two of the characters could have been a little more believable with their motivation but then to keep them self deluded we could revel in their silliness.  Harley obviously writes from the heart as none of the characters were unpleasant even though some of them were written to be belligerent.

The plot rocks and unfolds with a plenty of whistle stop surprises and one or two missed volleys, but when the ideas come as thick and fast as this it’s not such a bad thing that one or two are going to miss the mark, perhaps less dénouement and more engagement would have been in order, but I was possibly the only person wondering about the finer plot details, everyone else was  busy laughing and enjoying themselves. The narrative thrust is bold and relentless and it’s played with a highly committed energy from the cast. The play is written in three main parts with the final being direct to the audience.

Written and directed by Tara Harley who also runs the theatre group, did the the staging and I suspect makes everyone tea. It was a tight show and it’s nice to enjoy the talents of a polymath. Harley has a good surreal touch; sure and odd and her conviction manages to carry some of the more obscure or silly jokes right through into funny land. There were moments on stage where the action shifted into dream state and through some tight writing and fine choreography this staccato surreal dream turned out very well, it’s always a difficult shift on a small stage but the actors, props and sets worked well to make the scene believable.

image2I was unsure of the change of pace with the final 4th wall tumbling down and the actors all addressing the audience in a rap-cum-Shakespearean-style-morality-play-rhyming-Dr Seuss-thing, (and yep it was like that), for a moment it seemed to be slipping away but it held, balanced and carried on in a different direction. However the audience loved it and the narrative tension was kept up, the actors were convincing and full of conviction and it all made sense at the end. It had the air of a restoration comedy, bawdy but sharp, rococo but finely focused, nonsense with a happy moral ending and it feels authentic, as if Harley has speared some of her own experiences and gutted, filleted them and served them up fresh for our delights, and then kippering the odd one to throw at us when we least expect it with an expertly judged backhand volley.

All in all an unexpected treat; I laughed, was surprised and also delighted by some of the lines. I do love a silly surreal one liner and Therapy seems to have the ability to tuck them in and use them just at the right moment, that’s a real skill for a new writer to display and one worth cherishing.

A fine debut performance for this new theatre troupe and also for this new playwright, I enquired and they had quite rightly sold out each of their four performances, not bad for a brand new show.

At 90mins with no interval it could have been a tad shorter, but this was a fun engaging night out, full of surprise, surreal delights and laughter and the full house gave the actors a well-deserved rollicking applause. I for one would be happy to see another production from this innovative and fast paced writer.

 

The cast

Shari – Gratia Churchill

Dr. Morter – Cyril Cottrell

Tony – Warren Saunders

Helen – Coralie Maynard Banks

Davey – Nicholas Purton

Kirsty – Hellen Ward

 

BOOK REVIEW: Blood Relatives

Blood-RelativesBlood Relatives by Steven Alcock

This splendid debut novel from Steven Alcock is a coming of age and coming out story woven into the hot summer and horrible happenings of the backdrop of the Yorkshire Ripper murders is far more appealing than its premise would suggest. With each chapter opening with one of the Rippers victims and a first person narrative voice filled with working class Northern grit, inflection and slang it’s a an interesting read as well as a gripping one.

‘The milkman found her. On Prince Philip Playing Fields. He crossed the dew-soaked grass toward what he took to be a bundle of clothes, but then he came across a discarded shoe, and then t’ mutilated body. her name wor Wilma McCann.’

That’s the voice of Ricky, our joyful protagonist with who we cartwheel through his early gay fumbling and life in the suffocating heat of that 70’s summer and the claustrophobic council estates that he’s living and working on.  With sexual opportunity and emotional development wrestled from the smallest chance meeting. Alcock manages to be both evocative and disturbing on occasion and although the murders are a kind of hideous vivid 70’s wallpaper; all pervading, they are never centre stage, just the affects they have on people and the growing feeling of being under siege and the closing of the world against strangers, terrible speculation and freedom.

Ricky is a charming rogue and Alcock paints a vivid charming picture of this time of huge social change and nails the feeling of this time of roasting hot summers, royal jubilee, stalking terror and crates of pop. Set where the first of the Rippers victims were found in the Harehills suburb of Leeds, Alcock vividly recreates the fear and panic of the Yorkshire communities.   The family connections are wonderfully funny and then take a hard tack to allow some touching sentiment and working class compassion to shine out of this book.  There plenty of story here too, all told from Ricky’s relentlessly optimistic practical point of view and on occasion its bluntness shocks and jerks us into another space altogether.

Ricky’s bold assured steps out into gay life, paralleled by the changing music scene of punk, and the social disjoined politics of the far right butting up against the nascent projection of Gay Power and LGBT politics is a seriously convincing portrait of the acceptance and development of a man on the verge of change.

It’s also funny, touching and made me smile time and time again, although not Northern my own childhood mirrored Ricky’s, the pop, the dusty playing fields, the music and plastic technology, the distracted hard boiled old women and their endless, endless tea. Alcock has written that most lovely of books, a trip down memory lane for those that grew up in the 70’s and a wonderfully spot-on working class positive coming out story of the most precious kind, authentic, self-defined and rough, but veined with hope. Authenticaly British too.

It’s refreshing to read a book with a happy comfortably well-adjusted gay character who’s also working class and intelligent, likes his life and enjoys his sex. (Perhaps being riven with doubt, guilt and shame is a middle class indulgence). I enjoyed the book a lot and would recommend it for some light summer reading, it’s the prefect book to take away, interesting, evocative and funny. The Leeds dialect it’s written in may be a  fun exercise for an author but it started to grind on me after a while, it didn’t develop or adapt to any gay slang and seemed a little too ‘this is 70’s northern’ on occasion, however a small criticism for a great big wonderful first book.

Out now £14.99

From all good bookshops or from the publisher’s website here:

Brighton Housing Campaign celebrates change in law and the end of ‘revenge evictions’

Home Sweet Home activists from Brighton and Hove are celebrating a change in the law, banning the practice of ‘revenge eviction’.

Home Sweet Home cookies
Home Sweet Home cookies

CAMPAIGNERS celebrated their victory by handing out free treats and leaflets outside the Theatre Royal to tell people about their rights as tenants under the new law, which should come into force in October 2015.

Campaigning by groups across the country, including Movement for Change’s Home Sweet Home campaign, put the practice of revenge eviction under scrutiny in November last year when the Tenancy (Reform) Bill was defeated in the Commons by two Conservative MPs who filibustered the bill.

As a result of that scrutiny and pressure, the changes proposed by the Tenancy (Reform) Bill were put into the Deregulation Bill as amendments in the House of Lords.

After weeks of uncertainty about whether the bill would pass through the House of Commons and the House of Lords before Parliament closed for the General Election, the Bill finally gained Royal Assent last week. In doing so, the bill outlawed the practice of revenge eviction for good.

The changes should come into force in October this year.

The change in law was warmly welcomed by Home Sweet Home campaign leaders.

Whilst speaking about the need to protect tenants against revenge evictions, Home Sweet Home’s Jack Spooner said: “For too long landlords and agents have been able to evict people from their homes rather than maintain the standards of the properties they let. An end to revenge evictions is an end to something completely unjust, and good tenants and good landlords should welcome this move fully.”

Candice Armah, Home Sweet Home campaigner and President of Brighton Students Union, added: “This is a huge win for private renters, not just within the university community, but for everyone who rents in Brighton and Hove and the rest of the country. It’s a fantastic example of what you can achieve when community groups come together and organise.”

The campaign is now calling for tenants to submit evidence to Brighton and Hove Council’s consultation on expanding its current landlord licensing scheme to new areas of the city. A discretionary licensing scheme already exists in the five Lewes Road wards, and the consultation wants views on expanding the scheme to cover other areas of the city in Brunswick and Adelaide, Central Hove, East Brighton, Goldsmid, Preston Park, Regency and Westbourne.

To view details of the proposed scheme and consultation click here:

 

 

HIV’s answer to a home pregnancy test to be sold on Freedoms Shop website

By May 2015 self-testing HIV kits will be available from Central and North West London (CNWL) NHS Foundation Trust’s online Freedoms shop.

Freedoms ShopTHE UK’s first legally approved HIV self-testing kit is anticipated to go on sale in the next few weeks on CNWL’s Freedoms shop website costing £29.95.

The self test is the first of its kind in the UK as it allows individuals to receive their results at home, like a home pregnancy test.

It uses a very small amount of blood from a finger-prick sample to detect the presence of HIV antibodies within 15 minutes. The test comes with a bag in which the used testing kit can be sealed and disposed of in household waste.

The Freedoms shop is stocking the HIV self-testing kits to encourage people who do not want to access NHS services to test for HIV. It is estimated that around 26,000 people in the UK are unaware they have HIV and are unknowingly responsible for the majority of onward transmissions.

Almost half of newly diagnosed cases in 2013 in the UK were diagnosed later than treatment should have started, affecting health and life expectancy.

Testing at home means those individuals who do not currently arrange an NHS HIV test can discreetly test themselves when it’s convenient to them and in a place of their choosing.

Mark Maguire, CNWL’s Service Director Sexual Health and HIV, said: “Our NHS clinic will still provide a free testing service, but this is a huge development in HIV testing, normalising HIV testing and enabling people to take responsibility for their health care. We can provide the option for people to get tested in a clinic and now people across the country can test and get their results in a setting that they might be more conformable with.”

The HIV test is produced by BioSURE, a company specialising in the provision of rapid in-vitro diagnostic testing solutions.

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