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Argentinian trapeze star at Preston Park during Brighton Festival

Sebastian Gutierrez
Sebastian Gutierrez

Some Argentinians thrive on tango—but for Sebastian Gutierrez a different kind of rhythm is his passion.

Born in a small town 50 miles north of Buenos Aires, Sebastian now performs to big crowds in cities across Britain in silver skin tights with a reptile-like texture. A sash round the waist and bare chest completes the outfit of his routine,  when he performs 30 feet above the ground.

“For me, I listen to the music – it’s a metaphor,” the 30-year old told G-Scene. “There is no music but you have to have rhythm and to know your partner by his hands. It’s very physical.”

Sebastian is an artiste and performer on the High Trapeze, a member of the Flying Aces in Billy Smart’s Circus that is pitching the Big Top in Brighton’s Preston Park on Tuesday May 21 during the Brighton Festival.

Always climbing trees as a child when the other kids were playing football in a country that’s fanatical about the game, Sebastian moved to the Argentine capital to study psychology at university, but quit before graduating.

“I took a first class with a static trapeze once a week,” he recalls. “I got an addiction and then went to do it more and more. We put together our first show and I haven’t stopped since then. This was my passion. I get an adrenalin rush—it’s a mix of fear and adrenalin like being on a rollercoaster. You want to get back on again.”

At six feet, Sebastian, favours a similarly androgynous look to his hero David Bowie complete with strong make-up and dramatic costumes. Because of his size he’s the catcher, doing anything from 10 to 40 shows a week. He has traveled with circuses from Japan to the US.

As an Argentine he loves working for a British circus with a lot of history (Smart’s performed at the Queen’s Silver Jubilee in 1977), and especially as the traditional circus was born in England, he says.

“You’ve got to trust your partner,”  Sebastian explained. “My job is to catch the flyer doing the tricks with somersaults. You have got to have a good relationship. Like a physical relationship. You have to trust them and they you. It’s like dancing. My trainer said, ‘listen to the music, it’s a metaphor—there’s a rhythm involved. You don’t have to use force. Every element of the swing on the High Trapeze has its own timing. You don’t have to use strength. It’s necessary, but it’s more than that. You have to understand your partner’s hands and they yours.”

You can check out Sebastian and his Flying Aces in the Big Top at Preston Park from May 21 until Sunday June 2.

For more information, CLICK HERE: 

 

 

 

 

 

 

 

 

 

Sebastian is a high flyer with his Latin rhythm at Billy Smart’s Big Top

 

Some Argentinians thrive on tango—but for Sebastian Gutierrez a different kind of rhythm is his passion.

Born in a small town 50 miles north of Buenos Aires, Sebastian now performs to big crowds in the cities of Britain in silver skin tights with a reptile-like texture. A sash round the waist and bare chest completes the outfit of his routine, 30 feet above the ground.

“For me, I listen to the music – it’s a metaphor,” the 30-year old told G-Scene. “There is no music but you have to have rhythm and to know your partner by his hands. It’s very physical.”

Sebastian is an artiste and performer on the High Trapeze, a member of the Flying Aces in Billy Smart’s Circus that is pitching the Big Top in Brighton’s Preston Park on Tuesday May 21.

Always climbing trees as a child when the other kids were playing football in a country that’s fanatical about the game, Sebastian moved to the Argentine capital to study psychology at university but quit before graduating.

“I took a first class with a static trapeze once a week,” he recalls. “I got an addiction and then went to do it more and more. We put together our first show and I haven’t stopped since then.

“This was my passion. I get an adrenalin rush—it’s a mix of fear and adrenalin like being on a rollercoaster. You want to get back on again.”

At six feet, Sebastian, favours a similarly androgynous look to his hero David Bowie, with strong make-up and dramatic costumes. Because of his size he’s the catcher, doing anything from 10 to 40 shows a week, travelling with circuses from Japan to the US.

As an Argentine the circus artiste loves working for a British circus with a lot of history (Smart’s performed at the Queen’s Silver Jubilee in 1977, and especially as the traditional circus was born in England, he says.

“You’ve got to trust your partner,” Sebastian explained. “My job is to catch the flyer doing the tricks with somersaults.

“You have got to have a good relationship. Like a physical relationship. You have to trust them and they you. It’s like dancing. My trainer said, ‘listen to the music, it’s a metaphor—there’s a rhythm involved.’

“You don’t have to use force. Every element of the swing on the High Trapeze has its own timing.

“You don’t have to use strength. It’s necessary, but it’s more than that. You have to understand your partner’s hands and they yours.

Sebastian has also performed on the Chinese poll, where he has to shin up a 7-metre stick.

We can see Sebastian and his Flying Aces in the Big Top at Preston Park until Sunday June 2.

 

Pull-out quotes:

 

“For me, I listen to the music – it’s a metaphor. There is no music but you have to have rhythm.”

 

“It’s like a physical relationship. You have to trust them and they you. It’s like dancing.”

 

“I get an adrenalin rush – It’s a mix of fear and adrenalin like being on a rollacoaster – you want to get back on again.”

Online tickets adults £9-£21 children (2-12) £7-£15. Box Office 0844 415 522, or £3 discount online at: www.billy-smarts-circus.co.uk

 

Press contact Allis Moss 07850 973532

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Contents of a House: Preston Manor: Brighton Festival

peterreder The Contents of a House: A performance by Peter Reder

Preston Manor.  Brighton Festival

This is a world premier from British performance artist Peter Reder and commissioned by the Brighton Festival. He has spent the last weeks mining the tales and the treasures of Preston Manor and now he wants to tell you about them, or does he?

Preston Manor is the epitome of Edwardian glamour, its history reaching back to the Domesday Book. Over the centuries it has become a repository of memory: a trove of objects, images and histories. What are they, and what do they mean? Reder’s attempt to draw us into and then expel us from the stories that supposedly fill this house are undermined and then sabotaged by his need to show us the facsimile of memory and created carefully curated interpretations of history that are presented at places like Preston Manor. He teases a story out and then rambles on, seemly on a tangent until his digressions meet back up again in the next story. He unpeels and dismisses some of our most treasured cultural memes and then leaves us hanging for meaning. This is the anti-guided tour and he effortlessly and with some fun makes us think about what it is we want from these cherished places and what it is that the curators and presenters of our histories want us to think too.

The Contents of a House attempts to catalogue everything on show in the house in the hope that something of the unseen, the unspoken – even the unspeakable – will emerge.  What does emerge is the feeling that Reder is toying with us and our precious idea of British History, and shows us the pretensions, delusions and scathingly self-absorbed realities of life in a typical British manor house. From the profits of a drug fuelled war to the records of the pets- but not the staff that lived in this house- Reder reminds us that the upstairs downstairs world is one built on ugly foundations, while simultaneously making us laugh at our joint ideas of what history actually is.

redblogI found him charming and subtly amusing, the promenade around the house teasing details from the objects on display to build up an unflattering portrait of the people who they were owned by, or were they? There is a suggestion, slyly unspoken that all of this is just twaddle, made up, improvised perhaps and yet the production of artefact, photographs and videos seem to show he’s been up to something in the archives these last few months.

With call backs and internal references, soft dissection and themes of providence and pedigree woven into his narrative I expected something a little more challenging, however it was a sweet wander around the house and Reder is inoffensively provocative and softly charming throughout the performance.

 

Duration: 90 minutes approximately. Not suitable for children. 

Till the 26th May

Preston Manor

Brighton

For more information or to see if there are any returns for tickets

See the festival website here: 

 

 

Be street smart

Road Safety WeekBrighton & Hove City Council’s road safety team are joining with East Sussex Fire & Rescue Service and Sussex Police’s Road Policing Unit to raise road safety awareness among pedestrians.

Launched to coincide with UN Road Safety Week between May 6-13, the teams will be stationed at Memorial Way on the Old Steine from 10am-3am to offer advice, survey pedestrian crossing behaviour and explore how HGVs have blind spots by using a fire service vehicle.

Cllr Ian Davey, lead member for Transport at Brighton & Hove City Council, said:

“Pedestrians need to look effectively when crossing the roads and ensure they can be seen.  Most of us are pedestrians at some point, whether we choose to drive, cycle or use public transport for some of our journey, so any ways we can help improve road safety will benefit everyone.

“We expect the 20mph limit recently introduced will play a part in reducing road casualties and improved awareness of road users will also help to keep people safe.”

 

Last year pedestrians accounted for 53 serious injuries and one fatality and made up 34% of Brighton & Hove’s killed and seriously injured casualties. Of these 91% were over the age of 15.

 

 

‘Common Room’ garden space for London Road

Common Room in Brighton

After a successful trial last year, an area just off London Road is to be set aside as an oasis of calm in the midst of a desert of despair.

The little space outside St Bartholomew’s Church called Providence Place Gardens was given a fortnight’s makeover with picnic tables and seating being set up, as well as ping pong tables.

Nearby Ann Street had an artificial turf makeover with an art wall and special events and activities provided for the two weeks.

Called a ‘common room’ by the council, this shared and improved space was funded by money from Europe, and proved a big hit with local residents and visitors.

The council has now given the go-ahead for a package of permanent improvements which will be presented to locals for their scrutiny and reaction.

Detailed proposals will be presented next year for final approval, with the council hoping to start on the physical work soon after that.

It is all part of the ongoing scheme to improve the whole area encompassing The Level, London Road and the Brighton Station.

Bizarre Bazaar annual fetish sale

Bizarre Bazaar

The annual Bizarre Bazaar Fetish sale returns tomorrow, Sunday May 5, at Subline in St James Street from 2pm-5pm.

If your are looking for a new pair of chaps or just a nice leather jacket?  You need to check out this unique jumble sale.

New Calvin Klein and Aussiebum underwear and sports wear will be on offer with £1 from each sale going to support the Sussex Beacon. Better still have your hair cut in return for  a donation to the Beacon.

Event: Bizarre Bazaar

Where: Subline, 129 St James Street, Brighton

When: Sunday, May 5

Time: 2pm-5pm

Cost: Free entry

 

 

 

Paris no-go for Brighton City Airways

Brighton City Airways

Brighton City Airways, who fly out of Shoreham Airport, have had to suspend their recently launched Paris service due to French customs and immigration delays.

They will be operating return flights up to the May 6 to get people back from their Bank Holiday breaks, but from May 7 all flights will be suspended.

Full refunds will be offered to people who have already booked.

The company has a full compliment of Paris bookings but have been having to reroute their flights to land at Rouen or Le Touquet before heading off to Paris Pontoise.

This has caused a major delay to passengers as well as a drop in profits for the company.

“We are truly sad to suspend the flights,” said Jonathan Candelon, “not least because our ticket sales are over target and the demand for this airline is proven to be there, but we are forced to postpone flights until the issue is solved at Paris Pontoise.”

For more information: CLICK HERE: 

Brighton Transformed

Queenspark Books

QueenSpark, the city’s publisher of local voices, is embarking on a new project to bring the lives and experiences of Brighton & Hove’s Trans community to a wider audience.

Called ‘Brighton Transformed’, the project will document the life stories of local Trans people online, in book form, and also as documentaries to be broadcast on RadioReverb.

Over the course of a year and a half, a team of trained volunteers will record stories from Trans contributors which will then be stored on an online archive.

A book of life stories will also be produced, together with a public exhibition. This will coincide with the transmission of the radio programmes.

 

Rory Smith, FTM
Rory Smith, FTM

Rory Smith, chair of FTM Brighton, said:

“Trans identities are often neglected, re-written or even erased from formal histories.

“This project is important because, if for no other reason, is says ‘we were here.

For more information email:  the Project Co-ordinator,

 

 

The Overcoat: The Old Courtroom

Overcoat

Le Mot Juste bring their reimagining of Gogol’s classic short story The Overcoat to The Old Courtroom, Brighton later this month.

The Russian writer’s tale of one man’s struggle to overcome his own mediocrity is given shape by this most physical of theatre groups.

Through stylish and stylised movement and visual sleight-of-hand, Le Mot Juste bring Gogol’s story to life with the minimum of theatrical technicalities, relying rather on ‘the right word’.

Focusing on a St Petersburg clerk who buys and loses a fur coat, The Overcoat has many contemporary resonances and was written at a time of economic insecurity and great poverty.

This tale of jealousy, vanity, self-delusion and deceit can be seen from May 16 to 19 at the Old Courtroom, 18 Church Street, Brighton at 5.30pm.
Event: The Overcoat

Where: The Old Courtroom

When: May 16-19

Time: 5.30pm

Cost: Tickets cost £8/£7, suitable for all ages.

For more information, CLICK HERE:  

Hop Farm is no more

Hope Farm Festival

Sad news. This year’s Hop Farm festival has been cancelled due to poor sales and poor projected sales.

Due to take place at the beginning of July with headliners My Bloody Valentine, The Horrors, Rodriguez and Jimmy Cliff, the festival had been an essential event for Kent music fans since 2008.

Despite reducing capacity this year, and the number of days it was to be up and running, it failed to attract the punters.

Festival Organiser Vince Power has apologised in an open letter.

He wrote:

“We would thank the fans that have supported us over the past five years and it with great sadness that the decision was made.”

All ticket holders will receive a full refund from their ticket agent.

Hop Farm Festival Hope Farm Festival

3 Days off Jesus: Caroline of Brunswick

David Burke

3 Days off Jesus, a one-man night of comedic childhood tales of growing up in Ireland, plays at the Caroline of Brunswick as part of the Brighton Fringe from May 20-May 25.

David Burke, born on December 22 and a self-confessed ‘sober’ Irishman, tells stories of growing up, religion and women at a show about accepting yourself for who you are, for better or worse.

Event: 3 Days off Jesus

Where: Caroline of Brunswick, 39 Ditchling Road, Brighton.

When: Monday, May 20-Saturday, May 25 at 6pm.

Cost: Tickets: £5/£4

To book, CLICK HERE:

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